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Re: simplifying chromatic scale notation
From: |
Hans Åberg |
Subject: |
Re: simplifying chromatic scale notation |
Date: |
Tue, 26 Jan 2016 22:17:40 +0100 |
> On 26 Jan 2016, at 18:01, Sharon Rosner <address@hidden> wrote:
> So you see, it's quite a straight-forward a technique. Yes, accidental
> translation can be tricky, but with practice it becomes second nature. And
> again, 300 years ago it was considered a basic skill for any musician worth
> his salt, it's just modern musicians that are handicapped.
One way to learn it might be to try out the file diatonic.ck [1] I wrote for
ChucK [2]. It starts up in quarter-comma extended meantone, setting the major
third to the rational interval 5/4, though one can easily choose another tuning.
One plays on the typing keyboard in a 2-dimensional layout, corresponding to
the two generators of the staff notation system, then. A transpose is then same
as a translation on the keyboard.
If one makes the wrong choice of E12 enharmonic note, then one plays a wolf
interval. So that gives an interactive way to discover the difference.
1.
https://secure2.storegate.com/Shares/Home.aspx?ShareID=f2f70b60-a7f7-4d15-9c36-6763de133c62
2. http://chuck.cs.princeton.edu/
- Re: simplifying chromatic scale notation, (continued)
Re: simplifying chromatic scale notation, David Kastrup, 2016/01/26
- Re: simplifying chromatic scale notation, Sharon Rosner, 2016/01/26
- Re: simplifying chromatic scale notation, Paul Morris, 2016/01/26
- Re: simplifying chromatic scale notation, Sharon Rosner, 2016/01/26
- Re: simplifying chromatic scale notation, Hans Åberg, 2016/01/26
- Re: simplifying chromatic scale notation,
Hans Åberg <=
- Re: simplifying chromatic scale notation, Paul Morris, 2016/01/26
Re: simplifying chromatic scale notation, Paul Morris, 2016/01/26
Re: simplifying chromatic scale notation, Kieren MacMillan, 2016/01/26