Re: How to work with large orchestral1 projects

[Carl-Henrik Buschmann]

I'm afraid i dont fully understand. When i put \grace s8 in my voices it still produces double timesignatures.

Med vennlig hilsen,

Carl-Henrik Buschmann

Lektor

21. feb. 2016 kl. 08.56 skrev Urs Liska <address@hidden>:

Am 21. Februar 2016 08:25:22 MEZ, schrieb Carl-Henrik Buschmann <address@hidden>:

I found that it was 
\slashedGrace {b8}
that caused the whole double time signature thing. I can only assume it
is a bug. I still need a acciaccatura though. Any thoughts?

This is one of the *oldest* and most embarassing bugs, yes.

What you need to do is put a grace construct in *every* context, using spacer tests to make it invisible. E.g. \grace s8

HTH
Urs

Med vennlig hilsen,
Carl-Henrik Buschmann
Lektor

20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann

<address@hidden>:

Hi guys,

I'm trying to learn how to use lilypond to typeset orchestral

material. Handling large projects is fun but good documentation
regarding this is hard to come by. I'm still a lilypond novice and my
Google-Fu has let me down, I need help. 

I'm using my own orchestration which i engraved in Sibelius a while

back.

This is my original sibelius score i.e.: the "ideal":
http://i.imgur.com/fIQJN8v.png <http://i.imgur.com/fIQJN8v.png>

And this is my lilypond output so far:
http://i.imgur.com/g2OL258.png<http://i.imgur.com/g2OL258.png>

2) This is the wierdest thing. Double up of time, clef and tempo,

what is on earth have i done wrong? 

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