When working with large projects (or small for that matter) like an
orchestral piece, how do one best handle system wide objects like repeats,
rehersal marks, tempi etc? It is tedious entering every thing in every
voice, not to mention prone to errors.
One idea i have is to make a silent voice and embed (not sure of the
terminology here) it into every staff, but i'm not sure if it is the best
way, nor how to execute it.
Hope your day is/will be brilliant!
Carl-Henrik
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