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Re: Vertical justification after \pagebreak


From: Jacques Menu Muzhic
Subject: Re: Vertical justification after \pagebreak
Date: Thu, 23 Jun 2016 08:35:47 +0200

Hello Gabriel-Marie,

Does ragged-*, described in section 4.3.2 Page breaking of  the notation reference help you?

JM

Le 23 juin 2016 à 00:02, Br. Gabriel-Marie | SSPX <address@hidden> a écrit :

In my music, I have the chorus at the top and the verses following.  Since my music is longer than one page, it overflows to the next.  So, since I'm using two pages, I figured I would insert a \pagebreak so that the chorus is on page 1 and the verses on page 2.  This works fine, but now my problem is that the space between staves is too far and it looks funny - as if it were justified vertically.

So, instead of this:
xxxxx
xxxxx
xxxxx

it looks like:

xxxx

xxxx

xxxx

Here's my score:
\score{
<<
    \new Staff {  \chorus \pageBreak \verses }
     \chorusLyrics
    \firstVerse
    \secondVerse

>>
\layout{}
}

Now, I've played with \override VerticalAxisGroup.default-staff-staff-spacing, but nothing I try there seems to have any effect.

On 6/22/2016 4:48 PM, address@hidden wrote:
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Today's Topics:

   1. Re:Placement of Chorus for Hymn (BGM)
   2. Re:how to get short broken ties (Werner LEMBERG)
   3. drawing glissando line with (gliss) as text across line
      (Ryan Michael)
   4. Re:Ask about the typesetting of Lilypond (Wilbert Berendsen)
   5. Re:drawing glissando line with (gliss) as text across line
      (Thomas Morley)
   6. Re:drawing glissando line with (gliss) as text across line
      (Ryan Michael)


----------------------------------------------------------------------

Message: 1
Date: Wed, 22 Jun 2016 10:09:09 -0700 (MST)
From: BGM <address@hidden>
To: address@hidden
Subject: Re: Placement of Chorus for Hymn
Message-ID: <address@hidden>
Content-Type: text/plain; charset=us-ascii

Harm - thanks!  That's more like what I imagined.  It lets me keep the chorus
and the verses in separate vars - it's just what I was hoping for.  

Thanks for taking the time!



--
View this message in context: http://lilypond.1069038.n5.nabble.com/Placement-of-Chorus-for-Hymn-tp191809p191824.html
Sent from the User mailing list archive at Nabble.com.



------------------------------

Message: 2
Date: Wed, 22 Jun 2016 19:25:11 +0200 (CEST)
From: Werner LEMBERG <address@hidden>
To: address@hidden
Cc: address@hidden, address@hidden
Subject: Re: how to get short broken ties
Message-ID: <address@hidden>
Content-Type: Text/Plain; charset=us-ascii


Note that this is not a theoretical issue.  Especially in French
impressionistic piano music like the works of Debussy and Ravel
I've seen such a notation, and having a `\shortTie' command would
be handy.
See <https://sourceforge.net/p/testlilyissues/issues/4336/>.
Ah, ok, thanks.


    Werner



------------------------------

Message: 3
Date: Wed, 22 Jun 2016 13:42:10 -0700
From: Ryan Michael <address@hidden>
To: lilypond-user <address@hidden>
Subject: drawing glissando line with (gliss) as text across line
Message-ID:
	<address@hidden>
Content-Type: text/plain; charset="utf-8"

Hello, I am trying to engrave the following gesture:

%%%%%%%%%%%%%%%%%
bes16\glissando
\tuplet 3/2{ aes8\glissando-\markup{\teeny"glissando between Ab and Bb"}
\once \hide NoteHead a8\glissando  \once \hide NoteHead a16\glissando
bes16~}
%%%%%%%%%%%%%%%%%%%%


my idea is to draw the first 16th note, have a visible line connect that
16th the the next 8th note with the word ("gliss") appear across the line
like the first measure of this graphic:

http://sites.siba.fi/documents/705861/705966/SingleGlissando1.png/3a9d5ef5-617d-460b-bfba-e3688ca67a4b?t=1371409410781

how can i do that?
currently, even using the /glissando command between the bes16 and the aes,
lilypond does not draw a visible line. Should I increase the width of the
bar so it is actually visible?

Thanks!
Ryan.

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