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Re: What can Premusic do that others can't?
From: |
Juan Cristóbal Cerrillo |
Subject: |
Re: What can Premusic do that others can't? |
Date: |
Mon, 20 Mar 2017 18:20:08 -0600 |
Shouldn’t this discussion be happening elsewhere?
The relevance to Lilypond is what exactly?
best,
jc
> On Mar 20, 2017, at 5:42 PM, Jacques Menu Muzhic <address@hidden> wrote:
>
> Hello Have,
>
> I don’t understand what you mean by square characters: can you make that more
> clear?
>
> There are text editors you can use I guess for the parallel aspect of what
> seems to be a measure-wise notation IIUC, i.e. those that offer block-mode
> editing such as Win-EDT on Windows.
>
> There’s a tree structure in nearly all music, written or played: parts are
> performed in parallel, each of them made of voices. The latter usually get
> grouped into staves for reading and organisation commodity, and repeats, da
> capos and codas add more structure to that. An organ music score is an
> example of such a tree.
>
> All text notations used to represent trees have a difficult problem. MusicXML
> is not meant to be used by composers or music aficionados, it is an exchange
> format designed for use by computer applications. The order of the various
> markups such as <part-list/> and <part-list/> is defined by a DTD.
>
> In the example below, the <note/> contains the sharp <accidental/>, but the
> <p /> dynamic occurs before it. It could have been placed inside the <note/>
> too, though. Such design choices were not made at random, there are reasons
> behind them.
>
> <direction placement="below">
> <direction-type>
> <dynamics>
> <p />
> </dynamics>
> </direction-type>
> </direction>
> <note>
> <pitch>
> <step>C</step>
> <alter>1</alter>
> <octave>4</octave>
> </pitch>
> <duration>16</duration>
> <voice>1</voice>
> <type>half</type>
> <accidental>sharp</accidental>
> </note>
>
> In this other example, there’s a partgroup containing two parts, one for each
> flute, with respective parts « 1 » and « 2 » sharing a single staff as is
> often the case in orchestral scores.
>
> </part-group>
> <score-part id="P2">
> <part-name>Flutes</part-name>
> <part-abbreviation>Fl.</part-abbreviation>
> <score-instrument id="P2-I19">
> <instrument-name>Fl.</instrument-name>
> </score-instrument>
> <midi-instrument id="P2-I19">
> <midi-channel>2</midi-channel>
> <midi-program>74</midi-program>
> </midi-instrument>
> </score-part>
> <part-group number="2" type="stop"/>
> <part-group number="2" type="start">
> <group-name>1
> 2</group-name>
> <group-barline>yes</group-barline>
> </part-group>
>
> And the horns sections is a sub-partgroup in this score, with 4 voices
> grouped into two staves. MusicXML precisely is weird in this area BTW: it
> does not represent a staff group (tree of groups) as a tree, by allows for «
> intelaced groups », which is arguable:
> <PastedGraphic-2.png>
>
>
> How do you represent such complex structures with Premusic?
>
> JM
>
> _______________________________________________
> lilypond-user mailing list
> address@hidden
> https://lists.gnu.org/mailman/listinfo/lilypond-user
- Re: What can Premusic do that others can't?, (continued)
- Re: What can Premusic do that others can't?, Hans Åberg, 2017/03/21
- Re: What can Premusic do that others can't?, Malte Meyn, 2017/03/21
- Scaled grace (was: What can Premusic do that others can't?), Urs Liska, 2017/03/21
- Re: Scaled grace, Urs Liska, 2017/03/21
- Re: Scaled grace, Malte Meyn, 2017/03/21
- Re: Scaled grace, Malte Meyn, 2017/03/21
- Re: Scaled grace, Urs Liska, 2017/03/21
- Re: Scaled grace, Werner LEMBERG, 2017/03/21
- Re: What can Premusic do that others can't?, Jacques Menu Muzhic, 2017/03/20
- Square characters, have, 2017/03/20
- Re: What can Premusic do that others can't?,
Juan Cristóbal Cerrillo <=
- Re: What can Premusic do that others can't?, David Kastrup, 2017/03/21
- Re: What can Premusic do that others can't?, Malte Meyn, 2017/03/20
- Re: What can Premusic do that others can't?, Simon Albrecht, 2017/03/20
- Re: What can Premusic do that others can't?, Johan Vromans, 2017/03/21
Re: Parallel Square Premusic, Malte Meyn, 2017/03/20
Re: Parallel Square Premusic, Joseph Austin, 2017/03/21