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should there be only one set of quarter rests under (CT.) in the
lower staff, and if so, how can that be done (i.e. to « mask » a
rest in a voice if there’s already one at the same point in
another voice in the same staff)? Finale does so;
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would it be better to swap voices for the f and a quarter notes
in the last measure (Finale does so too). I’m no keyboard player
unfortunately, and I guess that players don’t take voices
numbers into account as we do when using Lilypond or other
scoring software.