Re: turning a blind eye to dotted note

[bb]

There was such a lot of information in all the responses, thanks.

http://lilypond.org/doc/v2.19/Documentation/learning/bar-lines-and-bar-checks.en.html
Bar lines
Bar checks
I have read this and I think to understand.

\cadenzaOn does not set or check barlines and opens freedom to the user, 
nice, I used that already.

Let me come back to my original example:
\version "2.19.80"
mus = \relative { d4  cis8  c8  b8. ais8  a  gis }
<<
  \new Voice \mus
>>

The point in the example is, that there is one 16th to much in the bar, 
not one missing. If I count, I get 17/16 in the bar! And I wonder that 
lilypond is seting automatically a barline after that 17/16 without 
complaining? In my understanding that is wrong!

What I would do or awaiting lilypond to do is splitting up that last 8th 
note into 2 16th note and connect it with a tie! Than this is a correct 
notation. The "math", 16/16 in one bar with 4/4 is right.
http://lilypond.org/doc/v2.19/Documentation/learning/ties-and-slurs.en.html

\version "2.19.80"
mus = \relative c'' {
d4  cis8  c8  b8. ais8  a  gis16 (gis16)
}
<<
  \new Voice \mus
>>

Regards



Am 29.01.2018 um 10:56 schrieb Urs Liska:
> Am 29.01.2018 um 10:53 schrieb Blöchl Bernhard:
> > In my limited knowledge of music I think that bar is wrong because of 
> > the dotted 8th note?
> >
> > Regards
> >
> >
> > %\version "2.19.80"
> > \version "2.18.20"
> > mus = \relative c'' {
> > d4  cis8  c8  b8. ais8  a  gis
> > }
> > <<
> >   \new Voice \mus
> > > >
>
>
> Indeed, it is, and therefore you see that space to the right of the 
> barline. This represents the second half of the last eighth note.
> Urs
>
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