Am 07.02.2018 um 22:18 schrieb Urs
Liska:
My
favourite example is in Schubert's song Schwangesang D 744 (http://imslp.org/wiki/Schwanengesang,_D.744_(Schubert,_Franz)
).
The song is in a flat major, then turns to the darker mood of the
variant a flat minor and its parallel c flat major (both six
flats) and then reaches an absolute anticlimax on the word
"auflösend" (meaning: life is dissolving) on the minor
subdominant: a fes minor seventh chord (=> <fes' asas' ces''
eses''> in LilyPond language)! There's no way this could ever
make sense in e minor.
But what makes even *less*
sense is the helpless rendering of the original edition: <fes g
ces d> (the d even being "resolved" to des).
As a further reference, showing the composer's original intention,
the manuscript:
http://schubert-online.at/activpage/manuskripte.php?top=1&werke_id=10149&herkunft=allewerke
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