[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re: Is lilypond suitable for big composition projects?
From: |
Shevek |
Subject: |
Re: Is lilypond suitable for big composition projects? |
Date: |
Fri, 23 Mar 2018 12:13:44 -0700 (MST) |
I have been using Lilypond + Frescobaldi for all my compositions for the last
8 years or so, including jazz, chamber music, and a symphony. The symphony
is currently at 120 pages, and will probably end up around 170 pages.
I certainly don't rely on continuous engraving — for one thing, if I'm doing
an edit that breaks bar checks, I want to finish editing every staff before
I engrave. For the symphony, engraving takes so long even on a fast computer
that I usually only engrave the bookpart for the movement I'm currently
working on.
I don't use MIDI playback hardly at all. If you want to do a proper MIDI
mockup in a DAW, Lilypond does give you nice and clean MIDI output, though.
A lot of my compositional process takes place in pencil on printed out
incomplete drafts.
I use Git for version control and remote backup of my projects.
Saul
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
- Is lilypond suitable for big composition projects?, Jonas Daverio, 2018/03/22
- Re: Is lilypond suitable for big composition projects?, Caagr98, 2018/03/22
- Re: Is lilypond suitable for big composition projects?, David Kastrup, 2018/03/22
- Re: Is lilypond suitable for big composition projects?, Lukas-Fabian Moser, 2018/03/22
- Re: Is lilypond suitable for big composition projects?, Karlin High, 2018/03/22
- Re: Is lilypond suitable for big composition projects?,
Shevek <=