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That part of a surface will be better lighted on which the lightfalls at the
greater angle.
That light which causes the shadow does not face it. He adds in
his commentary: _Das Ende der Nummer ist wohljedenfalls verstummelt_.
A light
object will look larger when it is seen against a backgrounddarker than
itself.
HOW A PAINTER SHOULD CARRY OUT THE PERSPECTIVE OF COLOUR INPRACTICE.
Hence a moderate amount of smokeproduces the finest blue.
OF THE NATURE OF THE
RAYS COMPOSED OF THE IMAGES OF OBJECTS, AND OFTHEIR INTERSECTIONS. As to the
colours of objects: at long distances no difference isperceptible in the parts
in shadow. And black will look intensestagainst the whitest background.
An
object at a distance is mostconspicuous, when it is lightest, and the darkest
is least visible.
The atmosphere is blue by reason of the darkness above it
becauseblack and white make blue. The surface of a body assumes in some degree
the hue of those aroundit. 94), while the four following sections are headed
merely _pro_(see No.
That part of a surface will be better lighted on which the
lightfalls at the greater angle.
OF THE NATURE OF THE RAYS COMPOSED OF THE
IMAGES OF OBJECTS, AND OFTHEIR INTERSECTIONS.
The surface of every opaque body
assumes the hues reflected fromsurrounding objects. THAT THE EYE HAS NO PART IN
PRODUCING THE COLOURS OF THE RAINBOW.
remember to show the true quality of
colours in brightlights. Thecase is the same with the upper extremity _n_ and
the eye _u_.
Every visible object must be surrounded by light and shade.
The
colour of derived shadows is always affected by that of the bodytowards which
they are cast. And the rest shall be said in its place. Among shadows of equal
depth those which are nearest to the eye willlook least deep.
THAT THE EYE HAS
NO PART IN PRODUCING THE COLOURS OF THE RAINBOW. 301 line 20) its identity will
be discussedunder Leonardos Topographical notes in Vol.
Among shadows of equal
depth those which are nearest to the eye willlook least deep.
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