\version "2.19.83" date = #(strftime "%d-%m-%Y" (localtime (current-time))) \header { Mytitleallpages = "La Fiancée vendue I -1" title = \markup { \column { " " " " " " " " " " \fontsize #6 \bold "La Fiancée vendue" " " \fontsize #5 \bold "Opéra comique en trois actes" " " } } subtitle = \markup { \column {\fontsize #5 \bold "Acte I scène 1. " " " " " } } composer = \markup { \column { \bold \center-column {"F. SMETANA " "" }}} %%%%%%%%%%%%% composer = \markup { \column { \bold "P.TCHAIKOWSKY" \bold "1840-1893 " }} arranger = "Transcription pour Evi Laetare : Daniel Bernair" enteredby = "DB" tagline = \markup { "Partition gravée avec LilyPond (http://lilypond.org)" } } \paper { #(set-paper-size "a4") top-margin = 1.0\cm bottom-margin = 1.0\cm left-margin = 1.0\cm right-margin = 1.0\cm %%%%%%% two-sided = ##t %%%%%%% inner-margin = 1.0\cm %%%%%%% outer-margin = 1.5\cm %%%%%%% binding-offset = 1\cm two-sided = ##t inner-margin = 1.5\cm outer-margin = 2.5\cm %%%%%%%%% binding-offset = 1.0\cm %%%%%%%%%%% page-count = #6 system-system-spacing = #'((basic-distance . 20.0) (padding . 4.0)) %%%%%%% systems-per-page = #3 ragged-last-bottom = ##t ragged-bottom = ##t oddFooterMarkup = \markup {\fill-line { % \column { \fromproperty #'header:meter } \column { \fromproperty #'header:tagline } \column { \line {DB le \date }} } } auto-first-page-number = ##f first-page-number = #0 oddHeaderMarkup = \markup \on-the-fly #not-first-page %%%%%%%%% ne pas imprimer sur la première page %%%%%%%%% \fill-line { %%%%%%%%%%%%%\fromproperty #'header:title % titre sur la page N° 1 (en haut à gauche) \fill-line { \line { \fromproperty #'header:Mytitleallpages } % titre sur la page N° 1 (en haut à gauch \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \on-the-fly #not-first-page %%%%%%%%% ne pas imprimer sur la première page \fill-line { \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string " " %%%%%%%%%%\fromproperty #'header:title % titre sur toutes les pages \fromproperty #'header:Mytitleallpages % titre sur la page N° 1 (en haut à gauchs %%%%%%%% ou %%%%%%% : \fill-line { \line { \fromproperty #'header:Mytitleallpages \fromproperty #'header:subtitle } % titre sur la page N° 1 (en haut à gauchs } } \layout { \context { \Voice \consists "Melody_engraver" \override Stem #'neutral-direction = #'() } } \pageBreak global = { \key g \major \numericTimeSignature \time 2/4 \tempo "Allegro vivo" 4=152 \override MultiMeasureRest.expand-limit = #2 } #(set-global-staff-size 17) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% variables diverses myArpeggioBracket = %%%%%%%%% pour crochets sur plusieurs notes { \revert Arpeggio.X-extent \override Arpeggio.stencil = #(lambda (grob) (ly:stencil-rotate (ly:arpeggio::brew-chord-bracket grob) (if (eq? LEFT (ly:grob-property grob 'direction LEFT)) 0 180) 0 0)) } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%% fonction de durées répétitives sur une note ou plusieurs %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% #(define (extract-all-durations music) (map! (lambda (m) (ly:music-property m 'duration)) (extract-music music (lambda (m) (ly:duration? (ly:music-property m 'duration)))))) applyRhythm = #(define-music-function (parser location rhythm music) (ly:music? ly:music?) (let* ((r-elements (ly:music-property rhythm 'elements)) (m-elements (ly:music-property music 'elements)) (m (if (null? m-elements) (ly:music-deep-copy (make-sequential-music (make-list (length r-elements) music))) music)) (durations (extract-all-durations rhythm)) (l durations)) (for-some-music (lambda (n) (and (pair? l) (if (ly:duration? (ly:music-property n 'duration)) (begin (set! (ly:music-property n 'duration) (car l)) (set! l (cdr l)) (if (null? l) (set! l durations)) #t) #f))) m) m)) str = #(define-music-function (parser location music) (ly:music?) #{ \applyRhythm {s4. s4 s8} $music #}) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%% fin de fonction %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%% myBreakCO = { } saut de portées pour orchestre myBreakO = { \break } %%%%%%%%%% myBreakCC = { } saut de portées pour le choeur myBreakC = { \break } fsF = \markup { \dynamic { fsf } } ffsF = \markup { \dynamic { ffsf } } parenthP = \markup { \dynamic { \parenthesize p } } pianoSubito = \markup { \dynamic p \italic "subito" } pE = \markup { \dynamic p \italic "-e" } sfpSubito = \markup { \dynamic sf p \italic "subito" } piuF = \markup {\hspace #-3.0 \italic "più" \dynamic f } piuFsf = \markup { \hspace #-6.0 \italic "più" \dynamic fsf } piuP = \markup { \italic "più" \dynamic p } piuPP = \markup { \italic "più" \dynamic pp } menoF = \markup {\italic "meno" \dynamic f } dolcePP = \markup { \dynamic pp \italic "dolce elegico" } FFmarcato = \markup { \dynamic ff \italic "marcato" } vSf = \markup { \vspace #4 "sf" } generalPart = { \new Devnull { s1 } \new Devnull { s1 } } %%%%%%%%%%%%%%%%%%%%%%%%%%d%%%%%% squelettes squelinst = { %%%%%%%%%%%%%% instruments s2*7 \myBreakO %8 s2*7 \myBreakO %15 s2_\ff s2*7 \myBreakO %23 \repeat volta2 { s2*5 \myBreakO %28 reprise mesures 23 à 42 s2*3 %31 s2 %32 s2*3 %35 s2 \myBreakO %36 s2*3 %39 s2*4 \myBreakO %43 ou 23 ? %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% } s2_\piuF %44 %%%%%%%%%%%%%%%% \set Score.skipTypesetting = ##t %% ignorer les lignes jusqu'au ##f s2*7 \myBreakO %51 s2*8 \myBreakO %59 s2_\menoF %60 s2*3 %63 s2_\parenthP %64 s2*3 \myBreakO %67 s2_\f %68 s2*8 \myBreakO %76 s2*9 \myBreakO %85 s2*9 \myBreakO % 94 s2*9 \myBreakO %103 s2*8 \myBreakO %111 s2 %112 s2*5 %117 s2 %118 s2 \myBreakO %119 s2*6 %125 s2 %126 s2*2 \myBreakO %128 s2*3 %131 s2_\< %132 s2 %133 s2_\ff %134 s2*3 \myBreakO %137 s2*8 \myBreakO %145 s2*6 %151 s2_\< %152 s2 \myBreakO %153 \mark "Più mosso" s2_\ff %154 s2_\< %155 s4 s_\sf %156 s2*5 \myBreakO %161 s2_\< % 162 s2 %163 s4 s_\sf %164 s2*6 \myBreakO %170 s2*5 %175 s2*2_\< %177 s2_\fff %178 s2 \myBreakO %179 s2*2 %181 s2*2 _\markup { \italic "dim.molto" } %183 s2*2 _\> s2*3_\p \myBreakO %188 s2 %189 s2_\pp %190 s2*7 \bar "||" \myBreakO %197 \key f \major %197 \mark "Meno vivo" s2*8 \myBreakO %205 s2*8 \myBreakO %213 s2*3 %215 \mark "poco largamente" s2*3 %219 s2 s \myBreakO %221 s2*3 %224 s4 s_\> %225 s2*2 %227 s2_\ff %228 s2 \myBreakO %229 s2*4 %233 s2 %234 s4 s8 s_\> % 235 s2*2 \myBreakO %237 s2*6\! %243 s4 s_\> %244 s2 %245 s2_\< %246 s2_\sf \myBreakO %247 s2*2_\> %249 s2*2 \! %251 s2_\< %252 s4 _\sf s %253 s2_\> \mark "poco largamente" %254 s4 s4_\< %255 s2 %256 s4_\> s4 \myBreakO %257 \mark "A tempo I" s2_\p \!%258 s2 %259 s2_\< %260 s2\! %261 s2*4 \myBreakO %264 s2_\cresc %265 s4 s4_\< %266 s2 %267 s2\! %268 s2*2 %271 s2_\< %272 s2 \myBreakO %273 s2\!_\fsF %274 s2*2 %276 s2_\sf %277 s2*2 %279 s4._\sf s8_\markup { \italic "sempre" } %280 s8 s4_\cresc s8 \myBreakO %281 s2*3 s4. s8\! %285 s4 s %286 s2*3 \bar "||" \myBreakO %289 %%%%%%%%%%%% \set Score.skipTypesetting = ##f réactiver lla compilation à partir d'ici \key g \major %%%%%%%%%%% retour en sol majeur s2*8 \myBreakO %297 s8 s_\markup { \italic "cresc. molto" } s4 %298 s2*3 %301 s2_\f_\cresc %302 s2*3 \myBreakO %305 %%%%%%%% %%%%%%%%%%%% finale du choeur s2_\ff %306 s2*7 \myBreakO %313 s2*4 %317 s2_\menoF %318 s2*3 \myBreakO %321 s2*2 %323 s2*2_\< %325 s4_\ff \mark "Più mosso" s %326 s2_\< %327 s4 s_\sf %328 s4_\sf s \myBreakO %329 s2*5 %334 s2_\< %335 s4 s_\sf %336 s4 _\parenthesize \sf s \myBreakO %337 s2*8 \myBreakO %345 s2*2 %347 s2*2_\< %349 s4\! s8 \mark "Moderato, tempo I" s %350 s2*3 \myBreakO %353 s2*4 %357 s4_\ffsF s %358 s2*2 \myBreakO %360 s2*6 \myBreakO %366 s2*6 \myBreakO %372 s2*2 %374 s2 _\dim_\markup { \hspace #6.0 \italic "sempre e sempre al" } %375 s2*3 \myBreakO %378 s2_\pE %379 s2*5 \myBreakO %384 s2*2 %386 s2*4_\pp \myBreakO %390 s2 %391 s2_\ppp %392 s2*5 %397 s4_\sff s \bar "|." %fin } squelinstP = { %%%%%%%%%%%%%% instruments s2*22 %23 \repeat volta2 { s2*20 %43 } s2*134 %177 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s2_\fff %178 s2 %179 s2*2 \myBreakO %181 s2*16 %197 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \key f \major %197 s2*60 %256 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s4 s4 \myBreakO %257 \mark "A tempo I" s2*23 %280 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s2*3 \bar "||" \myBreakO %289 \set Score.skipTypesetting = ##f \key g \major %%%%%%%%%%% retour en sol majeur s2*17 \myBreakO %301 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s2_\f_\cresc %302 s2*3 \myBreakO %305 %%%%%%%% %%%%%%%%%%%% finale du choeur s2_\ff %306 s2*7 \myBreakO %313 s2*4 %317 s4_\dim s\! %318 s2*3 \myBreakO %321 s2*2 %323 s2*2_\< %325 s4_\ff \mark "Più mosso" s %326 s2_\< %327 s4 s_\sf %328 s4_\sf s \myBreakO %329 s2*5 %334 s2_\< %335 s4 s_\sf %336 s4 _\parenthesize \sf s \myBreakO %337 s2*8 \myBreakO %345 s2*2 %347 s2*2_\< %349 s4\! s8 \mark "Moderato, tempo I" s %350 s2*49 \bar "|." % fin %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% } %{ squel = { %%%%%%%%%% choeur \override MultiMeasureRest.expand-limit = #2 s2*7 \myBreakC %8 s2*7 \myBreakC %15 s2*8 \bar "||" \myBreakC %23 \mark \markup { \bold "Con vivacita" } \repeat volta 2 { s4^\mf s4 %24 s2*6 \myBreakC %30 s4^\< s8 s8\! %31 s4 ^\tweak self-alignment-X #RIGHT ^\piuF s4 %32 s2*2 %34 s4 s^\menoF %35 s2*2 \myBreakC %37 s2*2 %39 s4^\> s\! %40 s2*3 } \myBreakC %43 s4^\f s %44 s2*6 \myBreakC % 50 s2*7 \myBreakC %57 s2*2 %59 s4 ^\tweak self-alignment-X #RIGHT ^\piuP s %60 s2*5 \myBreakC %65 s2*2 %67 s2*11 %78 s2 %79 s4 s \myBreakC %80 s2*7 \myBreakC %87 s2*7 \myBreakC %94 s2*3 %97 s4^\< s\! %98 s2*2 %100 s4^\> s\! \myBreakC %101 s2*7 \myBreakC %108 s2*7 \myBreakC %115 s2*3 %118 s2*15 %133 orchestre seul s4^\ff s4 %134 s2*3 \myBreakC %137 s2*7 \myBreakC %144 s2*7 \myBreakC %151 s2*2 %153 \tempo "Piu mosso" s4^\ff s %154 s4 s^\< %155 s8 s\! s4 ^\sf %156 s2*2 %158 s4^\sf s \myBreakC %159 s4 s^\sf %160 s4 s^\sf %161 s2%162 s4 s^\< %163 s4 s\!^\sf %164 s2*3 \myBreakC %167 s4 s^\fz %168 s4 s^\fz %169 s2 %170 s4^\fz s4 %171 s4 s^\fz %172 s4 s^\fz %173 s2*2 \myBreakC %175 s2 %176 s4 s4 %177 s4 s4 %178 s2 %179 s2*18 %197 orcherstre seul \bar "||" \key d \minor s4 s %198 s2 \myBreakC %199 s2*7 \myBreakC %206 s2*7 \myBreakC %213 s2*7 \myBreakC %220 s2*5 %%225 \tempo "a Tempo" s2*3 \myBreakC %228 s2*11 \myBreakC %239 s2*10 \myBreakC %249 s2*8\myBreakC %257 \mark "Choeur" \tempo "Tempo I°" s4^\p s s2 %259 s2*6 %265 s4^\cresc s\!\myBreakC %266 s4 s^\< %267 s4 s\! %268 s2*3 %271 s2^\< %272 s8 s\! s4 \myBreakC %273 s4^\f s %274 s2*2 %276 s4^\sf s %277 s2 %278 s2^\< %279 s2^\sf %280 s4^\cresc s\! \myBreakC %281 s2 %282 s2^\< %283 s2^\sf %284 s2*2 %286 s2*3 \bar "||" %289 orchestre \key g \major s2*16 \myBreakC %305 orchestre seul s2^\ff %306 s2*4 %310 s2^\sf %311 s2*2 \myBreakC %313 s2^\sf %314 s2*2 %316 s8^\> s8\! s4 %317 s2*2 %319 s4 s^\< %320 s2\! \myBreakC %321 s2*4 %325 \tempo "Piu mosso" s2^\ff %326 s4 s^\< %327 s4\! s^\sf %328 s2 \myBreakC %329 s2 %330 s2^\sf %331 s4 s ^\sf %332 s4 s^\sf %333 s2 %334 s4 s^\< %335 s4\! s^\sf %336 s2 \myBreakC %337 s2 %338 s2^\sf %339 s4 s^\sf %340 s4 s^\sf %341 s2 %342 s2^\sf %343 s4 s^\sf \myBreakC %344 s4 s^\sf %345 s2*2 %347 s2^\< %348 s2 %349 \tempo "Moderato tempo" 4 = 88 s2^\f %350 s2 %351 s2*6 \myBreakC %357 s4 s^\ff %358 s2*5 \myBreakC %363 s2*3 %366 s8 s8^\markup { \italic "leggiero" } s4 %367 s8^\< s\! s4 %368 s2 \myBreakC %369 s2*2 %371 s8^\< s \! s4 %372 s2*2 %374 s4 ^\dim s8\! s^\markup { \italic "sempre"} \myBreakC %375 s2 %376 s4^\dim s\! %377 s2 %378 s8 s8^\p s4 %379 s2*2 \myBreakC %281 s2*3 %384 s2^\pp %385 s2*2 \myBreakC %387 s4 s^\piuPP %388 s2 %389 s2*9 \bar "|." %fin } %} %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% flûte scoreAPiccolo = \relative c''' { \global %%%%%%%%%%% \transposition c'' % En avant la musique ! R2*176 %177 g8^! r a^! r %178 b4.(_\sf c8) %179 b8(^> a) a(^> b) %180 a8(^> g) g(^> d) %181 R2*104 %285 b'4_\ff cis %286 dis4.(_\sf e8) %287 dis8( cis) cis( dis) %288 cis8( b) b4 %289 R2*12 %301 d,4( e %302 fis4) fis %303 fis2~_\sf %304 fis2 %305 g8^! r a^! r %306 \transposition c' { \quoteDuring "scoreAViolinI" { s2*44 } % 350 copie 44 mesures } R2*48 %fin } scoreAFluteI = \relative c'' { \global % En avant la musique ! << { g''8 } \\ { g, } >> r r4 %2 R2*13 %15 << { g4 a } \\ { g a } >> %16 4 %17 4 %18 4 %19 4^! r %20 R2*3 %23 R2*8 %31 8^!^>_\mp r ^!^> r %32 4.^>( 8) %33 8() 8.( 16) %34 8( ) 4^> %35 R2*8 %43 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% après reprise 4^>_\f ^> %44 4.^> 8 %45 8(_\> 8)\! \>( )\! %46 4.^>_\sf 8 %47 4_\sf < e c >_\sf %48 4._\sf 8 %49 8(_\> ) ( _\> )\! %50 4^> ^> %51 4_\sf _\sf %52 4._\sf 8 %53 8(_\> 8)\! \>( )\! %54 4^> ^> %55 4_\sf < e c >_\sf %56 4._\sf 8 %57 8(_\> ) ( _\> )\! %58 4^> ^> %59 8^! r8 ^! r %60 4._\>( 8)\! %61 8( ) (_\< \!) %62 8(^>_\> ) 4^-\! %63 8^!_\p r ^! r %64 4.^>( 8) %65 8(_\> ) << { a( b) a ( g) g4^- } \\ { fis4 fis8( g ) g4_- } >> %66 et 67 8\!^! r8 ^! r %68 4._\sf_\>( 8)\! %69 8(_\< ) ( \!) %70 8(\! ) 4^- %71 8^! r ^! r %72 4._\>( 8) %73 2~_\dim %74 4 r\! %75 R2 %76 R2*9 %85 4^\markup { \italic "espressivo" } _\p(_\< %86 4 %87 4 %88 4 )\! %89 4^>( %90 4_\> ) %91 4_\>( %92 2)\! %93 R2 %94 R2 %95 4^>(_\> %96 4 )\! %97 R2*2 %99 4(_\sf_\> %100 4 )\! %101 R2 %102 2(_\sf %103 2)_\> %104 R2\! %105 R2 %106 (_\sf %107 2)_\> %108 R2\! %109 2(_\sf_\> %110 2) %111 2(_\sf_\> %112 2) %113 2(_\sf %114 2) %115 2(_\> %116 2) %117 R2\! %118 R2 %119 R2*9 %128 R2 %129 8^!_\parenthesize\mf r_\cresc ^! r %130 8^! r < gis eis> r\! %131 << { a8 b a b c d e fis } \\ { fis,2~ fis2 } >> %132 -133 8^! r ^! r %134 4.(_\sf 8) %135 8( ) ( ) %136 8( ) ( ) %137 } scoreAFluteII = \relative c'' { \global % En avant la musique ! } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% hautbois scoreAOboeI = \relative c'' { \global % En avant la musique ! } scoreAOboeII = \relative c'' { \global % En avant la musique ! } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% clarinettes scoreAClarinetI = \relative c'' { \global \transposition bes % En avant la musique ! } scoreAClarinetII = \relative c'' { \global \transposition bes % En avant la musique ! } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Bassons scoreABassoonI = \relative c { \global % En avant la musique ! } scoreABassoonII = \relative c { \global % En avant la musique ! } scoreAHornFI = \relative c'' { \global \transposition f % En avant la musique ! } scoreAHornFII = \relative c'' { \global \transposition f % En avant la musique ! } scoreAHornFIII = \relative c'' { \global \transposition f % En avant la musique ! } scoreAHornFIV = \relative c'' { \global \transposition f % En avant la musique ! } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Trompettes scoreATrumpetCI = \relative c'' { \global % En avant la musique ! } scoreATrumpetCII = \relative c'' { \global % En avant la musique ! } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Trombonnes scoreATromboneI = \relative c { \global % En avant la musique ! } scoreATromboneII = \relative c { \global % En avant la musique ! } scoreATromboneIII = \relative c { \global % En avant la musique ! } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% percussions scoreATimpani = \relative c { \global % En avant la musique ! } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Choeur scoreASoprano = \relative c'' { \global % En avant la musique ! } scoreAAlto = \relative c' { \global % En avant la musique ! } scoreATenor = \relative c' { \global % En avant la musique ! } scoreABass = \relative c { \global % En avant la musique ! } scoreAVerseOne = \lyricmode { \set stanza = "1." % Ajouter ici des paroles. } scoreAVerseTwo = \lyricmode { \set stanza = "2." % Ajouter ici des paroles. } scoreAVerseThree = \lyricmode { \set stanza = "3." % Ajouter ici des paroles. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% cordes scoreAViolinI = \relative c'' { \global % En avant la musique ! g'4 r %2 R2*3 %5 b,,4^>_\FFmarcato c^> %6\prall d4.(_sf e8) %7 d8^> c^> c^> d^> %8 %%%%%%%%%%%%%%%%%%%%%%%%%% quoted c8^> b^> b^> c^> %9 d4^> e^> %10 f4.( _\sf g8) %11 f8 _\cresc e e f %12 f8 g a b %13 c 8 b b c %14 c8 d e fis!\! %15 g4 a %16 b4 c %17 cis4 d %18 e4 fis %19 g4^! r %20 R2*3 %23 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% début reprise 8^!_\p r ^! r %24 4.^>( 8) %25 8( ) ( ) %26 8( ) < g b,>( < a d,>) %27 8^! r ^! r %28 4.^>( 8) %29 8( ) ( ) %30 8( ) ( d) %31 8^!_\piuFsf r ^! r %32 4.^>(_\sf 8) %33 8( ) 8.( 16) %34 8( ) 4^> %35 8^!_\piuP r ^! r %36 4.^>( 8) %37 8( ) _\<( )\! %38 8(^> ) 4 %39 8^! r < c a>^! r %40 4.^>( 8) %41 8( ) << { a8.(b16) } \\ { d,4 } >> %42 8( ) 4^> %43 ou 23 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% fin de reprise 4^> ^> %44 4.^> 8 %45 f8(^\prall_\> e8)\! e^\prall_\>( d)\! %46 d4.^> d8 %47 4_\sf < e c g>_\sf %48 4._\sf e8 %49 d8(^\prall_\> c)\! c(^\prall _\> b)\! %50 4^> ^> %51 4_\sf _\sf %52 4._\sf e8 %53 f8(^\prall_\> e8)\! e^\prall_\>( d)\! %54 4^> ^> %55 4_\sf < e c g>_\sf %56 4._\sf e8 %57 d8(^\prall_\> c)\! c(^\prall _\> b)\! %58 4^> ^> %59 c8^!^> r8 c^!^> r %60 c4._\sf( b8) %61 b8( a) a(_\< e'\!) %62 e8(^>_\> d) d4^-\! %63 c8^! r c^! r %64 c4._\sf( b8) %65 b8( a) a( b) %66 a8( g) g(_\< c)\! %67 c8^!^> r8 c^!^> r %68 c4._\sf( b8) %69 b8(_\< a) a( e'\!) %70 e8( d) d4^> %71 c8^! r c^! r %72 c4._\>( b8)\! %73 b8( a) a( b) %74 b8(_\dim a) a(_\< b)\! %75 b8(_\> a) a( bes)\! %76 bes8(_\p a) a( bes) %77 R2*8 %85 R2*8 %93 bes4(_\parenthP \p _\< c %94 d4 bes'\!_\sf) %95 f4^>_\>( ees %96 d4 c\!) %97 bes4(_\< c %98 d4 bes'_\sf) %99 f4(^>_\> ees %100 d4 c) %101 bes4(_\< c %%102 cis4~ ) _\sf %103 4(_\sf_\> fis! %104 d4 a) %105 bes4(_\< c %106 cis4~ ) _\sf %107 4(_\sf_\> fis %108 d4 a) %109 b!4~(_\< < aes' b,>_\sf %110 4_\> c,-)\! %111 << { a4( _\<( ges'_\sf f4 _\> bes,) fis!4_\<( ees'_\sf d4_\> g,) cis,4_\<^( bes'__\sf a_\> d,)\! d8^! r e^! r } \\ { s4_\dim s4 s2*5 s4_\pp s4 } >> % 112 à %118 fis4.( g8) %119 fis8 (e) e( fis) % 120 e8( d) d( e) %121 fis8^! r g^! r %122 a4.(^> b8) % 123 a8( g) g( a) %124 g8( fis) fis( g) %125 a8^!_\cresc r b^! r %126 c4.(_\sf d8_\cresc) % 127 c8^! r d^! r %128 e4.(_\sf fis8_\cresc) %129 e8^! r fis^! r %130 g8^! r gis^! r\! %131 a8 b a b % 132 c8 d e fis %133 g8^!^> r a,^!^> r %134 b4.(_\sf c8) %135 b8( a) a( b) %136 a8( g) g( a) %137 b8^! r c^! r %138 d4.(_\sf e8) %139 d8( c) c( d) %140 c8(_\< b) b( d) %141 g8^!_\sf r fis^! r %142 fis4._\sf( e8) %143 e8( d) d( e ) %144 d8( c) c4^> %145 d8^! r c^! r %146 c4.(_\sf b8) %147 b8( a) a4^> %148 e'8( d) d4^> %149 d8^! r c^! r %150 c4._\sf( b8) %151 b8( a) a( b) %152 b8( a) a( b) %153 g4^> a^> %154 b4^> c^> %155 d4^> g %156 d4^> c^> %157 b4^> d^> %158 b4._\sf( c8) %159 b8( a) a4^> %160 e'8( d) d4^> %161 g,4^> a ^> %162 b4^> c^> %163 d4^> g %164 d4^> c^> %165 b4^> d^> %166 b4._\sf( c8) %167 b8( a) a4^> %168 e'8( d) d4^> %169 d8^! r c^! r %170 c4._\sf( b8) %171 b8( a) a4^> %172 e'8( d) d4^> %173 d8^! r8 c^! r %174 c4._\sf( b8) %175 b8 a a b %176 c8 d e fis %177 g8^!^> r a^!^> r %178 b4._\sf( a8) %179 b8(^> a) a(^> b) %180 a8(^> g) g(^> d) %181 b8^>( a) a^>( b ) %182 a8(^> g) g(^> d) %183 b8( a) a( b) %184 a8( g) g( d) %185 d2~ %186 d2~ _\dim %187 d2~%188 d2 %189 g,4(\! a %190 b2) %191 R2*6 %197 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% passage en fa majeur R2*22 %219 4_\fsF d( _\< %220 bes4 d %221 g4 a) %222 bes2^>(\! %223 a2~)_\dim %224 a2~_\p %225 a2~ %226 a2 %227 a4:16 c: %228 repeat tremolo f4: g: %229 tremolo a4:16 f:16 %230 g4:16 c,:16 %231 f4 r %232 c2~(_\mp %233 c2 _\< %234 d4. \!c8) %235 c2~ ( %236 c4 a8 g) %237 f4(_\< d %238 a'4 g\! ) %239 f4 ( c~^> _\> %240 c4 g' %241 f4_\<) f' %242 f4 f~ _\sf %243 f f( %144 e4 d ) %145 c4( cis %246 d4 a) %247 c2^> %248 bes2~ %249 bes4 bes( %250 a4 e %251 g4 ) f( %252 e'4 d %253 c4 a %254 f4) d( %255 e4 f %256 a^\fermata g) %257 %%%%%%%%%%%%%%%%%%%%%%%% retour du choeur A tempo I f8 f, f f %258 f8 f fis fis %259 g8 g a a %260 c8^> c bes bes %261 a8 a bes bes %262 a8 a g g %263 f8 a bes b %264 c8 f b, c %265 a8 a a a %266 a8 a ais ais %267 b8 b bis bis %268 dis8^> dis cis cis %269 b8 b b b %270 ais8 ais b b %271 dis8 dis dis dis %272 e8 e e e %273 fis8 fis fis fis %274 fis8 fis gis_\< gis %275 ais8 ais cis cis\! %276 fis8 fis e e %277 dis8 dis b b %278 dis8 dis dis fis %279 fis8 fis fis fis %280 e8 dis cis e %281 dis8 b fis gis %282 ais8 b cis dis %283 e8 eis fis gis %284 fis8 fisis gis ais %285 b8_\ff r cis, r %286 dis4.(_\sf e8) %287 dis8( cis) cis( dis) %288 cis8( b) b4 %289 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% R2*8 %297 b4(_\p cis %298 d4 cis) %299 d4( e %300 fis4) fis %301 \repeat unfold 4 { fis2:16 } %305 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% finale du choeur g8^! r a,^! r %306 b4.(_\sf c8) %307 b8( a) a( b) %308 a8( g) g( a )%309 b8^! r c^! r %3010 d4.(_\sf e8) %311 d8( c) c( d) %312 c8(_\< b) b( d) %313 g8^!_\sf r fis^! r %314 fis4.(_\sf e8) %315 e8( d) d8.^>( e16) %316 d8( c) c4^> %317 d8^! r c^! r %318 c4.^>( b8) %319 b8( a) a4^> %320 e'8( d) d4^> %321 d8^! r c^! r %322 c4.^>( b8) %323 b8( a) a( b) %324 b8( a) a( b) %325 g4 a %326 b4 c %327 d4 g %328 d4 c_\sf %329 b4 d %330 b4.(_\sf c8) %331 b8( a8) a4^> %332 e'8( d) d4^> %333 g,4 a %334 b4 c %335 d4 g %336 d4 c_\parenthesize \sf %337 b4 d %338 b4._\sf( c8) %339 b8( a) a4^> %340 e'8( d) d4^> %341 d8^! r8 c^! r %342 c4._\sf( b8) %343 b8( a) a4^> %344 e'8( d) d4^> %345 d8^! r c^! r %346 c4._\sf( b8) %347 b8 a a b %348 c8 d e fis %349 %%%%%%%%%%%%%%%%%%%%%%%%%%% moderato tempo I g4_\sf r %350 R2*7 %357 4 g8^! g16( b,) %358 d16( c) c(^\prall b) a4( %359 b8^!) b16( d g b d, b') %360 a2_\ff^\startTrillSpan~( %361 a4 g8^!\stopTrillSpan) g16( b,) %362 d16( c) c(^\prall b) a4(^> %363 b8)^! b16( d g b d, b') %364 a2(^\startTrillSpan %365 g8^!\stopTrillSpan) b,16( d g b d, b') %366 \repeat unfold 4 { 8^! c,16( d fis a c, a') 8^! b,16( d g b d, b') } %374 8^! c,16( d fis a c, a' ) %375 8^! g,16( b d g b, g') %376 8^! fis,16( a c d fis,d') %377 8^! b,16( d g b d,b') %378 8^! c,16( d fis a c, a') %379 8^! g,16( b d g b, g') %380 8^! a,16( c d fis a, fis') %381 8^! g,16( b d g b, g') %382 \repeat unfold 14 { << { s8^\startTrillSpan s4 s16 s \stopTrillSpan } \\ { \stemUp d2_>} >> } %396 d4 r %397 4^! r %fin } scoreAViolinII = \relative c'' { \global % En avant la musique ! 4 a,^> _\FFmarcato %2 %%%%%%%% quoted mesures 1 à 7 b4.^> c8^> %3 b8^> a^> a^> b^> %4 a8^> g^> g^> a^> %5 b4^> c^> %6 d4.( _sf e8) %7 d8^> c^> c^> d^> %8 end quoted \quoteDuring "scoreAViolinI" { s2*5 } % 13 copie 5 mesures c'8 gis gis a %14 a8 a \! %15 4 %16 4 %17 4 %18 4 %19 8^! d,4^> d8 %20 r8 d4^> d8 %21 r8 d4^> d8 %22 r8 d4^> d8 %23 %%%%%%%%%%%%%%%%%%%%%%%%%%%% debut reprise r8 d4_\p_\> d8\! %24 r8 d4\> d8 \! %25 r8 4_\> 8\! %26 r8 4 _\>8 \! %27 r8 4_\> 8 \! %28 r8 4_\>8 \! %29 r8 4 < d c>8 %30 r8 4 8 %31 r8 4^>_\piuF 8 %32 r8 4^> 8 %33 r8 4^> 8 %34 r8 4_\> 8\! %35 r8_\piuP << { 4 8 } \\ { s8 s8_\> s8\! } >> %36 r8 4 8 %37 r8 4 < d c>8 %38 r8 4 8 %39 r8 4 8 %40 r8 4 8 %41 r8 4 8 %42 r8 4 8 %43 %%%%%%%%%%%%%%%%%%%%%%%%%%%%% fin reprise 4^> ^> %44 4.^> c8 %45 d8^\prall( _\> c)\! c(^\prall_\> g)\! %46 g4.^> g8 %47 4_\sf < c e, g,>_\sf %48 4._\sf c8 %49 b8^\prall( _\> a)\! a(^\prall_\> e)\! %50 4^> ^> %51 4_\sf _\sf %52 4._\sf c8 %53 d8^\prall( _\> c)\! c(^\prall_\> g)\! %54 4^> ^> %55 4_\sf < c e, g,>_\sf %56 4._\sf c8 %57 b8^\prall( _\> a)\! a(^\prall_\> e)\! %58 4^> ^> %59 a8^!_> r a^!_> r %60 a4.(_\sf g8) %61 g8( d) d(_\< c')\! %62 c8(^>_\> b) b4^-\! %63 a8^! r a^! r %64 a4._\sf( g8) %65 g8( d) d( g) %66 d8( b) b(_\< a')\! %67 a8^!^> r a^!^> r %68 a4.(_\sf g8) %69 g8(_\< d) d( c')\! %70 c8( b) b4^>\! %71 a8^! r a^! r %72 a4._\>( g8)\! %73 g8( d) d( g) %74 g8(_\dim d) d( g) %75 g8(_\> d) d( g)\! %76 g8(_\p d) d( g ) %77 R2*8 %85 R2*8 %93 d4(_\parenthP \p _\< f %94 bes4 d\!)_\sf %95 d4^>(_\> c %96 bes4 a) %97 g4_\<( a %98 bes4 d)_\sf %99 d4(^>_\> c %100 bes4 a)\! %101 g4( a %102 bes4~ )_\sf %103 fis!4(_\sf_\> d %104 a4 fis!) %105 g4(_\< a %106 bes4~ )_\sf %107 fis(_\sf_\> d %108 a4 fis) %109 g4_\<( f'_\sf %110 e!4_\> e,\!) %111 << { fis4_\<( ees'_\sf %112 d4_\> ) %113 ees4(_\< c'_\sf %114 b!4_\> b,) %115 bes4^(_\< g'_\sf %116 fis!4 _\> a,\!) %117 a8^!\! r a^! r } \\ { s4_\dim s4 s2*5 s4_\pp s4 } >>%112 à %118 d4.( e8) %119 d8( a) a(d) %120 a4 a %121 d8^! r e^! r %122 fis4.^>( g8) %123 fis8 (e) e( fis) % 124 e8( d) d( e) %125 fis8^!_\cresc r g^! r %126 << { a4.(^\sf b8) } \\ { d,2 } >> % 127 8 ^! r ^! r %128 4.(_\sf d8)_\cresc %129 8^! r ^! r % 130 8^! r ^! r\! %131 \repeat unfold 4 { 8 } %132 \repeat unfold 4 { 8 } %133 8^!^> r d^!^> r %134 g4.(_\sf a8) %135 g8( d) d( g) %136 d( b) b( d) %137 %%%%%%%%%%%%%%%%%%%%%%% g8^! r a^! r %138 b4.(_\sf c8) %139 b8( a) a( b) %140 a8(_\< g) g( b) %141 g8^!_\sf r d'^! r %142 d4._\sf( c8) %143 c8( b) b( c ) %144 b8( a) a4^> %145 b8^! r a^! r %146 a4.(_\sf g8) %147 g8( fis) fis4^> %148 c'8( b) b4^> %149 b8^! r a^! r %150 a4.(_\sf g8) %151 g8( fis) fis( g) %152 g8( fis) fis( d) %153 4^> a^> %154 4^> ^> %155 4 ^> %156 4^> ^> %157 4^> ^> %158 4.(_\sf 8) %159 8( 8) 4^> %160 < g c,>8( b,) 4^> %161 4^> a^> %162 4^> ^> %163 4^> %164 4^> ^> %165 4^> ^> %166 4._\sf( 8) %167 8( ) 4^> %168 8( b,8) 4 %169 8^! r ^! r %170 4._\sf( 8) %171 8( ) 4^> %172 8( b,) 4^> %173 8^! r8 ^! r %174 4._\sf( 8) %175 8 < fis a,> b, %176 c8 d e fis %177 8^!^> r ^!^> r %178 4._\sf( 8) %179 8(^> a) ^>( b) %180 8(^> g) g(^> d) %181 g8^>( d) d^>( g) %182 d8(^> b8) b_> ( g) %183 g8( d) d( g) %184 d8( b) b4 %185 b8( a) a( b) %186 b8(_\dim a) a( b) %187 b8( a) a( b) %188 b8( a) a(b) \! %189 g4( a %190 b2) %191 g4 ( a %192 b2~)_\> %193 b2~ %194 b2~ %195 b4 r\! %196 R2 %197 %%%%%%%%%%%%%%%%%%%%% passage en fa majeur R2*5 %202 r8 4_\pp 8~ %~203 8 4 8~ %204 8 4 8 %~205 r8 4_\sf_\> 8 %206 r8 4 8\! %207 r8 4 8 %208 r8 4 8 %209 r8 4 8 %210 r8 f4 f8 %211 r8 4 8 %212 r8 4 8 %213 r8 4 8 %214 r8 4 8 %215 r8 4 8 %216 r8 4_\pp 8~ %217 8 4 8~ %218 8 4 8 %219 4_\fsF bes(_\< %220 g4 bes~ %221 bes d)\! %222 g2^>( %223 fis2~_\dim) %224 fis2~_\p %225 fis2~ %226 fis2 %227 a,4:16 c: %228 repeat tremolo f4: g: %229 tremolo a4:16 f:16 %230 4:16 :16 %231 4 r %232 c2~(_\mp %233 c2_\< %234 d4. \! c8) %235 c2~ ( %236 c4 a8 g) %237 f4^(_\< d %238 4 g\! ) %239 f!4 ^( c~^> _\> %240 c4 g' %241 f4_\<) f' %242 f4 f~_\sf %243 f4 f^( %244 e4 d) %245 c4^( cis %246 d4 a) %247 2(^> %248 2) %249 2^> %250 2 %251 2 %252 << { e'4( d) } \\ { f,2 } >> %253 2~ %254 2 %255 2 %256 2 ^\fermata %257 %%%%%%%%%%%%%%%%%%%%%%%% retour du choeur A tempo I < a f>8 f f f %258 f8 f ees ees %259 d8 d fis fis %260 8^> g g %261 f!8 f f f %262 e8 e e e %263 f8 f f f %264 f8 f f f %265 f8 f g g %266 fis8 fis e e %267 dis8 dis fis fis %268 a8^> a gis gis %269 fis8 fis fis fis %270 fis8 fis fis fis %271 b8 b b b %272 cis8 cis b b %273 8 %274 8 _\< %275 8 \! %276 fis8 fis e e %277 dis8 dis b b %278 dis8 dis dis fis %279 fis8 fis fis fis %280 e8 dis cis e %281 dis8 b fis gis %282 ais8 b cis dis %283 e8 eis fis gis %284 fis8 fisis gis ais %285 b8_\ff r < fis cis> r %286 4.(_\sf 8 %287 << { fis4 fis fis fis } \\ { dis8( cis) cis( dis) cis8( b) b4 } >> %289 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% R2*8 %297 d4(_\p fis %298 b4 fis) %299 b4( cis %300 d4) d %301 2:16 %305 \repeat unfold 3 { 2:16 } %305 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% finale du choeur 8^! r d,^! r %306 g4.(_\sf a8) %307 g8( d) d( g) %308 d8( b) b( d )%309 g8^! r a^! r %3010 b4.(_\sf c8) %311 b8( a) a( b) %312 a8(_\< g) g( b) %313 g8^!_\sf r d'^! r %314 d4.(_\sf c8) %315 c8( b) b8.^>( c16) %316 b8( a) a4^> %317 b8^! r a^! r %318 a4.^>( g8) %319 g8( fis) fis4^> %320 c'8( b) b4^> %321 b8^! r a^! r %322 a4.^>( g8) %323 g8( fis) fis( g) %324 g8( fis) fis( d) %325 4 a %326 4 %327 4 %328 4 _\sf %329 4 %330 4.(_\sf 8) %331 8( 8) 4^> %332 8( b,) 4^> %333 4 a %334 4 %335 4 %336 4 _\parenthesize \sf %337 4 %338 4._\sf( 8) %339 8( ) 4^> %340 8( b,) 4^> %341 8^! r8 ^! r %342 4._\sf( 8) %343 8( ) 4^> %344 8( b,) 4^> %345 8^! r ^! r %346 4._\sf( 8) %347 8 b, %348 c8 d e fis %349 %%%%%%%%%%%%%%%%%%%%%%%%%%% moderato tempo I 4_\sf r %350 R2*7 %357 << { g,4( f) e( fis!) } \\ { g,2 g2 } >> %359 2 %360 fis8( e d c) %361 b8(_\< d)\! 4^> << { e4 ( fis!) g2 } \\ { g,2 g2 } >> %364 2 %365 4 8(_. )_. %366 \repeat unfold 16 { 4_- 8(_.)_. } %382 \quoteDuring "scoreAViolinI" { s2*15 } %397 4 r %fin } scoreAViola = \relative c' { \global % En avant la musique ! 4 \quoteDuring "scoreAViolinII" {s4 s2*6 } %8 \quoteDuring "scoreAViolinI" { s2 s4 } % 10 copie 2 mesures % 10 \transposition c'' {\quoteDuring "scoreAViolinI" { s4 s2*3 } } % 10 copie 2 mesures % 13 c8 e e e %14 e8 e e e\! %15 d4 %16 4 %17 4 < d a d,> %18 < d a d,>4 < d a d,> %19 < d a d,>8^! d,4^> d8 %20 r8 d4^> d8 %21 r8 d4^> d8 %22 r8 d4^> d8 %23 %%%%%%%%%%%%%%%%%%%%%%%%%%% début reprise r8 d4_\p_\> d8\! %24 r8 d4\> d8 \! %25 r8 4_\> 8\! %26 r8 4 _\>8 \! %27 r8 4_\> 8 \! %28 r8 4_\>8 \! %29 r8 4 < a d,>8 %30 r8 4 8 %31 r8 4^>_\piuF 8 %32 r8 c4^> c8 %33 r8 d4^> d8 %34 r8 c4_\> c8\! %35 r8_\piuP << { c4 c8 } \\ { s8 s8-\> s8\!} >> %36 r8 4 8 %37 r8 fis4 fis8 %38 r8 4 8 %39 r8 c4 c8 %40 r8 4 8 %41 r8 fis4 fis8 %42 r8 < g d>4 8 %43 %%%%%%%%%%%%%%%%%%%%%%% fin reprise 4^> ^> % 44 8 4^> 8 %45 r8 r %46 r8 4^> 8 % 47 r8 < g c,> r % 48 r8 4_\sf 8 %49 r8 r % 50 r8 4 _\sf 8 %51 r8 ^> r ^> % 52 r8 4_\sf 8 %53 r8 r %54 r8 4_\sf8 %55 r8 r %56 r8 4_\sf 8 %57 r8 r % 59 r8 4 _\sf 8 %59 r8 4 8 %60 r8 4 8 %61 r8 4 8 %62 r8 4 8 %63 r8 4 8 %64 r8 4 8 %65 r8 4 8 %66 r8 4 8 %67 r8 4 8 %68 r8 4 8 %69 r8 4 8 %70 r8 4 8 %71 r8 4 8 %72 r8 4 8 %73 r8 4 8 %74 R2*2 %76 R2 %77 r8 4_\p 8~ %78 8 4 8~ %79 8 4 8~ %80 8 4 8~ %81 8 4 8~ %82 8 4 8~ %83 8 4 8~ %84 8 4 8~ %85 8 4 8~ %86 8 4 8~ %87 8 4 8~ %88 8 4 8~ %89 8 4 8~ %90 8 4 8~ %91 8 4 8~ %92 8 4 8~ %93 d8 f4_\< f8~ %94 f8 f4 f8~ \! %95 f8 f4_\> f8 %96 fis!8 fis4 fis8 %97 g8_\< g4 g8 %98 f8 f4_\sf f8~ \! %99 f8 f4_\> f8 %100 fis!8 fis4 fis8 %101 g8_\< g4 g8~ %102 g8 4 _\sf 8 %103 8 4_\> 8~ %104 8 4 8 %105 8_\< 4 8~ %106 8 4_\sf 8 %107 8 4_\> 8~ %108 8 4 8\! %109 8 4 8~ %110 8 4 8~ %111 8_\dim 4 8~ %112 \repeat unfold 4 { 8 4 8~ } %113 à 116 8 4 8~ %117 d,8_\pp d4 d8~ %118 d8 d4 d8~ %119 \repeat unfold 6 { d8 d4 d8~ } %120 à 125 d8_\cresc d4 d8~ %126 \repeat unfold 2 { d8 d4 d8~ } %127 à 128 d8 d4 d8 %129 8 4 8~ %130 8 4 8\! %131 \repeat unfold 4 { 8 } %132 \repeat unfold 4 { 8 } %133 8 4_\sf 8 %134 r8 4 _\sf< d g,>8 %135 r8 < fis c>4 8 %136 r8 4 8 %137 r8 4 8 %138 r8 4 8 %139 r8 4 8 %140 r8 4 8 %141 r8 4_\sf 8 %142 r8 4 8 %143 r8 4 8 %144 r8 4 8 %145 r8 4 8 %146 r8 4 8 %147 r8 4 8 %148 r8 4 8 %149 r8 4 8 %150 r8 4 8 %151 r8 4 8 %152 r8 4 8 %153 8 < d c> %154 8 < g c,> %155 8 < f g,> %156 8 < e g,> %157 8 < d b> %158 r8 4_\sf 8 %159 r8 4_\sf 8 %160 r8 4_\sf 8 %161 8 < d c> %162 8 < g c,> %163 8 < f g,> %164 8 < e g,> %165 8 < d b> %166 r8 4_\sf 8 %167 r8 4 8 %168 r8 4 8 %169 r8 4 8 %170 r8 4_\sf 8 %171 r8 4 8 %172 r8 4 8 %173 r8 4 8 %174 r8 4_\sf 8 %175 8 %176 8 %177 8 4_\sf 8 %178 8 4 8 %179 8 4_\sf 8 %180 8 4_\sf 8 %181 8 4 8 %182 8 4 8 %183 8 4 8 %184 8 4 8 %185 fis8 fis4 fis8~ %186 fis8 fis4_\dim fis8~ %187 fis8 fis4 fis8 %188 fis8 fis4 fis8 \!%189 g8 d4 d8~ %190 \repeat unfold 2 { d8 d4 d8~} %192 d8_\> d4 d8~ %193 \repeat unfold 2 { d8 d4 d8~} %195 d8 d4\! d8~ %196 d8 d4 d8~ %197 %%%%%%%%%%%%%%%%%%%% solistes %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% passage en fa majeur d8 d4_\pp d8~ %198 \repeat unfold 4 { d8 d4 d8~ } %202 d8 f4 f8~ %203 f8 f4 f8~ %204 f8 f4 f8 %205 r8 f4_\sf_\> f8 %206 r8 4 8\! %207 r8 4 8 %208 r8 4 8 %209 r8 4 8 %210 r8 4 8 %211 r8 4 8 %212 r8 4 8 %213 r8 4 8 %214 r8 4 8 %215 r8 c4( bes8) %216 r8 4_\pp 8~ %217 8 4 8~ %218 8 4 8 %219 8\f 4_\sf 8~ %220 8 4 8~ %221 8 4 8 %222 8 4 8 %223 8 4_\dim 8~ %224 8 4_\p 8~ %225 8 4 8~\! %226 8 4 8 %227 2:16 %228 2:16 %229 2:16 %230 2:16 %231 4 r %232 R2 %233 2 _\mp_\< %234 2 \!%235 2~ %236 2 %237 2_\< %238 2 %239 2_\> %240 2 %241 2~ \! %242 2 %243 2_\sf %244 2 %245 << { %%%%%% impression de la division entre crochets \myArpeggioBracket 2 \arpeggio ^\markup { "div." } %246 2 \arpeggio %247 } \\ { \myArpeggioBracket \override Arpeggio.direction = #RIGHT 2 \arpeggio %246 2 \arpeggio %247 \revert Arpeggio.direction } >> 2^>( %248 2) %249 2^> %250 2 %251 2 %252 2 %253 2~ %254 2 %255 2 %256 2 ^\fermata %257 %%%%%%%%%%%%%%%%%%%%%%% retour du choeur A tempo I 8 f, f f %258 a8 a a a %259 bes8 bes d d %260 ees8^> ees d d %261 c8 c d d %262 c8 c bes bes %263 a8 a a a %264 a8 a a a %265 a8 a a a %266 a8 a fis fis %267 fis8 fis a a %268 fis'8^> fis e e %269 dis8 dis dis dis %270 dis8 dis dis dis %271 fis8 fis fis fis %272 fis8 fis fis fis %273 \repeat unfold 16 8 %277 b,8 b b b %278 \repeat unfold 4 {8 } %279 8 %280 8 %281 b,8 b b b %282 8 \repeat unfold 3 { } %283 \repeat unfold 8 { 8 } %285 dis8_\ff fis4_\sf fis8 %286 \repeat unfold 3 { r8 fis4_\sf fis8 } %289 r8 fis,4_\pianoSubito fis8 %290 \repeat unfold 3 { r8 fis4 fis8 } %293 r8_\piuP fis4 fis8~ %294 \repeat unfold 3 {fis8 fis4 fis8~} %297 fis8 fis'4 fis8~ %298 fis8 fis4 fis8~ %299 fis8 fis4 fis8 %300 8 4 8 %301 \repeat unfold 4 {2:16 } %305 %%%%%%%%%%%%%%%%%%%%%%%%%% 8 4 8 %306 r8 4 8 %307 r8 4 8 %308 \repeat unfold 3 { r8 4 8 } %311 r8 4 8 %312 r8 4 8 %313 r8 4_\sf 8 %314 r8 4_\sf 8 %315 r8 4 8 %316 r8 4 8 %317 r8 4 8 %318 r8 4 8 %319 r8 4 8 %320 r8 4 8 %321 r8 4 8 %322 r8 4 8 %323 r8 4 8 %324 8 %325 8 %326 8 %327 8 %328 8 %329 8 %330 r8 4 8 %331 r8 4 8 %332 r8 4 8 %333 8 %334 8 %335 8 %336 8 %337 8 %338 r8 4 8 %339 r8 4 8 %340 r8 4 8 %341 r8 4_\sf 8 %342 r8 4_\sf 8 %343 r8 4 8 %344 r8 4 8 %345 r8 4_\sf 8 %346 r8 4_\sf 8 %347 8 %348 8 %349 2~ _\sfpSubito %350 \repeat unfold 6 { 2~ } %356 2 %357 b2 %358 c2 %359 b4^( ) %360 << { d2~ d4 b } \\ { c4( a g b ) } >> %362 c2 %363 b4( ) %364 2 %365 4^- d8^! \tupletUp \tuplet 3/2 { d16 e d } %366 \repeat unfold 4 { \repeat unfold 2 {a8^! \tuplet 3/2 { d16 e d} } \repeat unfold 2 {b8^! \tuplet 3/2 { d16 e d} } } %%%%%%%%%%% 374 \repeat unfold 4 { \repeat unfold 2 {a8^! \tuplet 3/2 { d,16 e d} } \repeat unfold 2 {g8^! \tuplet 3/2 { d16 e d} } } %382 \repeat unfold 4 { a'8^! d,16^( fis a c d, c') b8^! d,16^( g b d d, b' ) } %390 \repeat unfold 2 { b8^! d,16^( g b d d, d') } %392 \repeat unfold 4 { b16^( d d, d' b d d, d') } %396 b4 r %397 4 r %fin } scoreACello = \relative c { \global % En avant la musique ! g4^> \transposition c'' { \quoteDuring "scoreAViolinII" {s4 s2*6 } } %8 copie 1 à 7 avec octave basse \quoteDuring "scoreAViolinI" { s2*5 } % 13 copie 5 mesures c'8 d d c %14 c8 c cis cis\! %15 d4 d %16 d4 d %17 d4 d %18 d4 d %19 g,8^! d4^> d8 %20 g,8 d'4^> d8 %21 g,8 d'4^> d8 %22 g,8 d'4^> d8 %23 %%%%%%%%%%%%%%%%%%%%%%%%%%% début reprise g,8_\p d'4_\> d8\! %24 g, d'4_\> d8\! % 25 g, d'4_\> d8\! % 26 g, d'4_\> d8\! % 27 g, d'4_\> d8\! % 28 g, d'4_\> d8\! % 29 g,8 d'4 d8%30 g,8 d'4 d8 %31 b8_\piuF g'4^> g8 %32 c,8 g'4^> g8 %33 gis,8 e'4^> e8 %34 a,8 e'4_\> e8\! %35 << { a,8_\piuP e'4 e8 } \\ { s4 s8_\> s8\! } >> %36 d8 d4 d8 %37 d8 4 d8 %38 g,8 g'4 g8 %39 c,8 e4 e8 %40 d8 d4 d8 %41 d,8 d'4 d8 %42 g,8 g'4 g8 %43 %%%%%%%%%%%%%%%%%%%%%%%%%%% fin reprise c,4^> c^> %44 c8 g'4^> g8 %45 b,4 c %46 g8 g'4^> g8 %47 c,4_\sf c _\sf %48 a8 a'4_\sf a8 %49 d,4 dis %50 e8 e4_\sf e8 %51 c4_\sf c_\sf %52 c8 c4_\sf c8 %53 b4 c %54 g8 g'4_\sf g8 %55 c,4_\sf c _\sf %56 a8 a'4_\sf a8 %57 d,4 dis %58 e8 e4_\sf e8 %59 c8 a'4 a8 %60 d,8 g4 g8 %61 d8 fis4 fis8 %62 g,8 g'4 g8 %63 c,8 a'4 a8 %64 d,8 g4 g8 %65 d8 fis4 fis8 %66 g,8 g'4 g8 %67 c,8 a'4 a8 %68 d,8 g4 g8 %69 d8 fis4 fis8 %70 g,8 g'4 g8 %71 c,8 a'4 a8 %72 d,8 g4 g8 %73 d8 d4 d8 %74 R2*2 %76 R2 %77 g,8_\p d'4 d8~ %78 \repeat unfold 15 { d8 d4 d8~ } %78 à 92 d8 f4_\< f8~ \!%94 f8 f4 f8~\! %95 f8 f4_\> f8 %96 fis!8 fis4 fis8 %97 g8_\< g4 g8 %98 f8 f4 _\sf f8~ %99 f8 f4_\> f8 %100 fis!8 fis4 fis8 %101 d8_\< 4 8~ %102 8 4_\sf 8 %103 8 4_\> 8~ %104 8 4 8 %105 8_\< < d g,>4 8~ %106 8 4_\sf 8 %107 8 4_\> 8~ %108 8 4 8\! %109 d,8 d4 d8~ %110 d8 d4 d8~ %111 d8_\dim d4 d8~ %112 \repeat unfold 4 { d8 d4 d8~ } %113 à 116 d8 d4 d8~_\markup { \italic pizz.} %117 d8_\pp d4 d8~ %118 d8 d4 d8~ %119 \repeat unfold 6 { d8 d4 d8~ } %120 à 125 d8_\cresc d4 d8~ %126 \repeat unfold 4 { d8 d4 d8~ } %127 à 130 d8 d4 d8\! %131 d8 d d d %132 8 8 8 8 %133 8 4_\sf 8 %134 r8 4_\sf 8 %135 r8 4 8 %136 r8 4 8 %137 r8 4 8 %138 r8 4 8 %139 r8 4 8 %140 r8 4 8 %141 r8 4_\sf 8 %142 r8 c4 c8%143 r8 gis4 gis8 %144 r8 a4 a8 %145 r8 c4 c8 %146 r8 d4 d8 %147 r8 d4 d8 %148 r8 g,4 g8 %149 r8 c4 c8 %150 r8 d4 d8 %151 r8 d4 d8 %152 r8 d4 d8 %153 g8 g fis fis %154 f8 f e e %155 f8 f b, b %156 c8 c c c %157 d8 d d d % 158 d8 d4_\sf d8 %159 d8 d4_\sf d8 %160 g8 g4_\sf g8 %161 g8 g fis fis %162 f8 f e e %163 f8 f b, b %164 c8 c c c %165 d8 d d d % 166 d8 d4_\sf d8 %167 d8 d4 d8 %168 g8 g4 g8 %169 r8 c,4 c8 %170 d8 d4_\sf d8 %171 d8 d4 d8 %172 r8 g4 g8 %173 r8 c,4 c8 %174 d8 d4_\sf d8 %175 d8 d d d %176 8 8 8 8 %177 g8 4_\sf 8 %178 8 4_\sf 8 %179 8 4_\sf 8 %180 8 4_\sf 8 %181 fis8 fis4 fis8 %182 g8 g4 g8 %183 fis8 fis4 fis8 %184 g8 d4 d8 %185 d8 d,4 d8~ %186 d8 d4_\dim d8~ %187 d8 d4 d8~ %188 d8 d4 d8\! %189 b'4( d %190 g2) %191 b,4( d %192 g2~)_\> %193 g2~ %194 g2~ %195 g4 r\! %196 R2 %197 %%%%%%%%%%%%%%%%%%%%%%%%% passage en fa majeur et solistes g,2~_\pp %198 g2 %199 d2 %200 g2 %201 g2 %202 f!2 %203 f2 %204 bes!2 %205 %%%%%%%% debut quote during d2_\sf_\> %206 ees2 %207 g2 \! %208 c,2 %209 ees2 %210 f2 %211 f,2 %212 bes2 %213 ees2 %214 f2 %215 c4( cis ) %216 d2~_\pp %217 d2~ %218 d2 %219 d2~_\fsF %220 d2~ %221 d2 %222 g8 g4 g8 %223 a8 fis4_\dim fis8~ %224 fis8 fis4_\p fis8~ %225 fis8 fis4 fis8~ %226 fis8 fis4 fis8 %227 c2:16 %228 c2:16 %229 c2:16 %230 c2:16 %231 f4 r %232 R2 %233 a,2_\mp_\< %234 bes2 \! %235 a2~ %236 a2 %237 d2_\< %238 bes2 %239 c2 _\> % %240 c2 %241 f,2~ \! %242 f2 %243 f'2 _\sf %244 f2 %245 f2 %246 fis2 %247 g2~^> %248 g2 %249 cis,2^>~ %250 cis2 %251 d2 %252 b2%253 c2~ %254 c2~ %255 c2 %256 c2 ^\fermata %257 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% retour du choeur f8 f e e %258 d8 d c c %259 bes8 bes a a %260 g8^> g bes bes %261 c8 c c c %262 c8 c c c %263 f8 f f f %264 f8 f f f %265 f8 f e e %266 d8 d cis cis %267 b8 b dis dis %268 e8^> e e e %269 \repeat unfold 32 { fis8 } %277 \repeat unfold 8 { gis8 } %279 dis8 dis dis dis %280 e8 e e e %281 \repeat unfold 16 { fis8 } %285 fis8_\ff fis4_\sf fis8 %286 \repeat unfold 3 { r8 fis4_\sf fis8 } %289 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% r8 fis4_\pianoSubito fis8 %290 \repeat unfold 3 { r8 fis4 fis8 } %293 r8_\piuP fis4 fis8~ %294 \repeat unfold 3 {fis8 fis4 fis8~} %297 fis8 fis4 fis8~ %298 fis8 fis4 fis8~ %299 fis8 fis4 fis8 %300 8 4 8 %301 \repeat unfold 4 {2:16 } %305 %%%%%%%%%%%%%%%%%%%%%%%%%% 8 4 8 %306 r8 4 8 %307 r8 4 8 %308 \repeat unfold 3 { r8 4 8 } %311 r8 4 8 %312 r8 4 8 %313 r8 4_\sf 8 %314 r8 c4_\sf 8 %315 r8 gis4 gis8 %316 r8 a4 a8 %317 r8 c4 c8 %318 r8 d4 d8 %319 r8 d4 d8 %320 r8 g,4 g8 %321 r8 c4 c8 %322 r8 d4 d8 %323 r8 d4 d8 %324 d8 d d d %325 g8 g fis fis %326 f8 f e e %327 f8 f b, b %328 c8 c c c %329 d8 d d d %330 d8 d4 d8 %331 d8 d4 d8 %332 g8 g4 g8 %333 g8 g fis fis %334 f8 f e e %335 f8 f b, b %336 c8 c c c %337 d8 d d d %338 d8 d4 d8 %339 d8 d4 d8 %340 g8 g4 g8 %341 r8 c,4_\sf c8 %342 r8 d4_\sf d8 %343 r8 d4 d8 %344 r8 g4 g8 %345 r8 c,4_\sf c8 %346 r8 d4_\sf d8 %347 \repeat unfold 8 { d8} %349 2~_\sfpSubito \repeat unfold 6 { 2~ } %356 2 %357 2 %358 2^> %359 2~ %360 2 %361 2^> %362 2^> %363 2~ %364 2 %365 \repeat unfold 27 { 4_- 8_(_. _.) } %392 \repeat unfold 4 { 2~ } %396 < d g,>4 r %397 4^! r %fin } scoreAContrabass = \relative c { \global % En avant la musique ! g4^> \transposition c'' { \quoteDuring "scoreAViolinII" { s4 s2*6 } } %8 copie 1 à 7 avec octave basse \quoteDuring "scoreAViolinI" { s2*5 } % 13 \quoteDuring "scoreACello" { s2*2 } d'4 d %16 d4 d %17 d4 d %18 d4 d %19 g,4^! r %20 g4 r %21 g4 r %22 g4 r %23 %%%%%%%%%%%%%%%%%%%%%%%%%% début reprise g'4_\p r %24 g4 r %25 d4 r %26 g4 r %27 g4 r %28 g4 r %29 fis4 r %30 g4 r %31 b4^>_\piuF r %32 c4^> r %33 gis4^> r %34 a4^> r %35 c,4_\piuP r %36 d4 r %37 d4 r %38 g4 r %39 c,4 r %40 d4 r %41 d4 r %42 g,4 r %43 %%%%%%%%%%%%%%%%%%%%%%%%%%%%% fin reprise c4^> c^> %44 c2^> %45 b4 c %46 g4 r % 47 c4_\sf c_\sf %48 a2 _\sf %49 d4 dis %50 e4^> e^> %51 c4_\sf c_\sf %52 c2_\sf %53 b4 c %54 g4 r %55 c4_\sf c_\sf %56 a2 _\sf %57 d4 dis %58 e4^>_\sf e^>_\sf %59 c4 r %60 d4 r %61 d4 r %62 g,4 r %63 c4 r %64 d4 r %65 d4 r %66 g,4 r %67 c4 r %68 d4 r %69 d4 r %70 g4 r %71 c, 4 r %72 d4 r %73 d4 r %74 R2*2 %76 R2 %77 g,2~_\p %78 \repeat unfold 5 { g2~ } % 79 à 83 g2 %84 d'2 %85 g,2~ %86 \repeat unfold 5 { g2~} % 86 à 90 g2 %92 d'4 c %93 bes2~ %94 bes2 %95 d2~_\sf %96 d2~ %97 d2 %98 bes2~_\sf %99 bes2 %100 d2~ %101 d2 %102 d2~_\sf %103 d2~ d2~ d2 %104 à 106 d2~_\sf %107 d2~ d2~ d2 %108 à 110 d2^> %111 d2^>_\dim %112 d2^> %113 d2^>~ %114 d2~ d2~ d2 %115 à 117 d4_\pp r %118 d4 r %119 \repeat unfold 6 { d4 r } %125 d4_\cresc r %126 \repeat unfold 3 { d4 r } %129 d4^\markup { "arco" } d %130 d4 d\! %131 d8 d d d %132 d8 d d d %133 g,4 r %134 g4_\sf r %135 d'4 r % 136 g,4 r %137 g4 r %138 g4_\parenthesize\sf r %139 fis 4 r %140 g4 r %141 b4_\sf r % 142 c4_\sf r %143 gis4 r %144 a r %145 c4 r %146 d4 r %147 d4 r %148 g,4 r %149 c4 r %150 d4 r %151 d4 r %152 d2 %153 g4 fis %154 f4 e %155 f4 b, %156 c4 c %157 d4 d %158 d4 _\sf r %159 d4 r%160 g4 r %161 g4 fis %162 f4 e %163 f4 b, %164 c4 c %165 d4 d % 166 d4_\sf r %167 d4 r %168 g4 r %169 c,4 r %170 d4_\sf r %171 d4 r %172 g4 r %173 c,4 r %174 d4_\sf r %175 d2~ %176 d8 d d d %177 g4^! g^! %178 g4_\sf r %179 d4 r %180 g4 r %181 d4 r %182 g4 r %183 d4 r %184 g,4 r %185 d'4 r %186 d4 r %187 R2 %188 R2 %189 g,4 r %190 R2 %191 g4 r %192 R2 %193 g4 r %194 R2*3 %197 %%%%%%%%%%%%%%%%%%%%%%%%% passage en fa majeur et solistes g2~_\pp %198 g2 %199 d'2 %200 g,2 %201 g2 %202 f!2 %203 f2 %204 bes!2 %205 \quoteDuring #"scoreACello" { s2*14 } %219 d2~_\fsF %220 d2~ %221 d2~ %222 d2~ %223 d2~_\dim %224 d2~_\p %225 d2~ %226 d2 %227 c2~ _\markup { \hspace #3.0 { \dynamic sf} } %228 pour déplacer Sf en face de FF c2 %229 c2_\sf %230 c2_\sf %231 \quoteDuring #"scoreACello" { s2*26 } %257 %%%%%%%%%%%%%%%%%% retour du choeur %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% f4 e %258 d4 c %259 bes4 a %260 g4^> bes %261 c4 c %262 c4 c %263 f4 r %264 R2 %265 f4 e %266 d4 cis %267 b4 dis! %268 e4^> e %269 fis2 %270 \repeat unfold 14 { fis4 } %277 gis4 gis %278 gis4 gis %279 dis!4 dis %280 e4 e %281 \repeat unfold 8 { fis4 } %285 b,4_\parenthesize \ff b %286 b4 _\sf r %287 fis'4 r %288 b,4 r %289 b8_\p^\markup { "pizz." } r8 r4 %290 R2 %291 fis8 r r4 %292 b8 r r4 %293 b2~^\markup { "arco" } _\piuP %294 \repeat unfold 5 { b2~} %299 b2 %300 a2 %301 \repeat unfold 16 { a8 } %305 g4 g %306 g4 r %307 d'4 r %308 g,4 r %309 g4^! g^! %310 g4^!_\sf r %311 fis4 r %312 g4 r %313 b4_\sf r %314 c4_\sf r %315 gis4 r %316 a4 r %317 c4 r %318 d4 r %319 d4 r %320 g,4 r %321 c4 c %322 d4 d %323 d4 d %324 d8 d d d %325 g4 fis %326 f4 e %327 f4 b, %328 c4 c %329 d4 d %330 d4 r %331 d4 r %332 g,4 r %333 g'4 fis %334 f4 e %335 f4 b, %336 c4 c %337 d4 d %338 d4 r %339 d4 r %340 g4 r %341 c,4_\sf c %342 d4_\sf r %343 d4 r %344 g4 r %345 c,_\sf c %346 d4_\sf d %347 d8 d d d %348 d8 d d d %349 g,2~_\pianoSubito %350 \repeat unfold 6 { g2~} %356 g2 %357 g2 %358 g2^> %359 g2~ %360 g2 %361 g2^> %362 g2^> %363 g2~ %364 g2 %365 g2 %366 g2 %367 g2 %368 g2~ %369 g2 %370 g2 %371 g2 %372 \repeat unfold 9 { g2~} %381 g2 %382 \repeat unfold 14 { g2~ } %396 g4 r %397 g4^! r %fin } \addQuote "scoreAViolinI" { \scoreAViolinI } \addQuote "scoreAViolinII" { \scoreAViolinII } \addQuote "scoreACello" { \scoreACello } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Préparation des portées scoreAPiccoloPart = \new Staff \with { instrumentName = "Pic." shortInstrumentName = "Pic." midiInstrument = "piccolo" } <<\scoreAPiccolo \squelinst>> scoreAPiccoloPartInst = \new Staff \with { instrumentName = "Pic." shortInstrumentName = "Pic." midiInstrument = "piccolo" } <<\scoreAPiccolo \squelinstP>> scoreAFluteIPart = \new Staff \with { instrumentName = "Fl. I" shortInstrumentName = "Fl. I" midiInstrument = "flute" } <<\scoreAFluteI \squelinst>> scoreAFluteIIPart = \new Staff \with { instrumentName = "Fl. II" shortInstrumentName = "Fl. II" midiInstrument = "flute" } <<\scoreAFluteII \squelinst>> scoreAOboeIPart = \new Staff \with { instrumentName = "Htb. I" shortInstrumentName = "Htb. I" midiInstrument = "oboe" } <<\scoreAOboeI \squelinst>> scoreAOboeIIPart = \new Staff \with { instrumentName = "Htb. II" shortInstrumentName = "Htb. II" midiInstrument = "oboe" } << \scoreAOboeII \squelinst>> scoreAClarinetIPart = \new Staff \with { instrumentName = "Cl. I" shortInstrumentName = "Cl. I" midiInstrument = "clarinet" } <<\scoreAClarinetI \squelinst>> scoreAClarinetIIPart = \new Staff \with { instrumentName = "Cl. II" shortInstrumentName = "Cl. II" midiInstrument = "clarinet" } <<\scoreAClarinetII \squelinst>> scoreABassoonIPart = \new Staff \with { instrumentName = "Bsn I" shortInstrumentName = "Bsn I" midiInstrument = "bassoon" } { \clef bass \scoreABassoonI \squelinst } scoreABassoonIIPart = \new Staff \with { instrumentName = "Bsn II" shortInstrumentName = "Bsn II" midiInstrument = "bassoon" } { \clef bass \scoreABassoonII \squelinst } scoreAHornFIPart = \new Staff \with { instrumentName = "C. Fa I" shortInstrumentName = "C. Fa I" midiInstrument = "french horn" } << \scoreAHornFI \squelinst>> scoreAHornFIIPart = \new Staff \with { instrumentName = "C. Fa II" shortInstrumentName = "C. Fa II" midiInstrument = "french horn" } <<\scoreAHornFII \squelinst>> scoreAHornFIIIPart = \new Staff \with { instrumentName = "C. Fa III" shortInstrumentName = "C. Fa III" midiInstrument = "french horn" } <<\scoreAHornFIII \squelinst>> scoreAHornFIVPart = \new Staff \with { instrumentName = "C. Fa IV" shortInstrumentName = "C. Fa IV" midiInstrument = "french horn" } <<\scoreAHornFIV \squelinst>> scoreATrumpetCIPart = \new Staff \with { instrumentName = "Trp. ut I" shortInstrumentName = "Trp. ut I" midiInstrument = "trumpet" } <<\scoreATrumpetCI \squelinst>> scoreATrumpetCIIPart = \new Staff \with { instrumentName = "Trp. ut II" shortInstrumentName = "Trp. ut II" midiInstrument = "trumpet" } <<\scoreATrumpetCII \squelinst>> scoreATromboneIPart = \new Staff \with { instrumentName = "Trb. I" shortInstrumentName = "Trb. I" midiInstrument = "trombone" } { \clef bass \scoreATromboneI \squelinst } scoreATromboneIIPart = \new Staff \with { instrumentName = "Trb. II" shortInstrumentName = "Trb. II" midiInstrument = "trombone" } { \clef bass \scoreATromboneII \squelinst } scoreATromboneIIIPart = \new Staff \with { instrumentName = "Trb. III" shortInstrumentName = "Trb. III" midiInstrument = "trombone" } { \clef bass \scoreATromboneIII \squelinst } scoreATimpaniPart = \new Staff \with { instrumentName = "Timb." shortInstrumentName = "Timb." midiInstrument = "timpani" } { \clef bass \scoreATimpani \squelinst } scoreAChoirPart = \new ChoirStaff << \new Staff = "sa" \with { midiInstrument = "choir aahs" instrumentName = \markup \center-column { "S." "A." } shortInstrumentName = \markup \center-column { "S." "A." } } << \new Voice = "soprano" { \voiceOne \scoreASoprano } \new Voice = "alto" { \voiceTwo \scoreAAlto } >> \new Lyrics \with { alignAboveContext = "sa" \override VerticalAxisGroup #'staff-affinity = #DOWN } \lyricsto "soprano" \scoreAVerseOne \new Lyrics \with { alignAboveContext = "sa" \override VerticalAxisGroup #'staff-affinity = #DOWN } \lyricsto "soprano" \scoreAVerseTwo \new Lyrics \with { alignAboveContext = "sa" \override VerticalAxisGroup #'staff-affinity = #DOWN } \lyricsto "soprano" \scoreAVerseThree \new Lyrics \lyricsto "alto" \scoreAVerseOne \new Lyrics \lyricsto "alto" \scoreAVerseTwo \new Lyrics \lyricsto "alto" \scoreAVerseThree \new Staff = "tb" \with { midiInstrument = "choir aahs" instrumentName = \markup \center-column { "T." "B." } shortInstrumentName = \markup \center-column { "T." "B." } } << \clef bass \new Voice = "tenor" { \voiceOne \scoreATenor } \new Voice = "bass" { \voiceTwo \scoreABass } >> \new Lyrics \with { alignAboveContext = "tb" \override VerticalAxisGroup #'staff-affinity = #DOWN } \lyricsto "tenor" \scoreAVerseOne \new Lyrics \with { alignAboveContext = "tb" \override VerticalAxisGroup #'staff-affinity = #DOWN } \lyricsto "tenor" \scoreAVerseTwo \new Lyrics \with { alignAboveContext = "tb" \override VerticalAxisGroup #'staff-affinity = #DOWN } \lyricsto "tenor" \scoreAVerseThree \new Lyrics \lyricsto "bass" \scoreAVerseOne \new Lyrics \lyricsto "bass" \scoreAVerseTwo \new Lyrics \lyricsto "bass" \scoreAVerseThree >> scoreAViolinIPart = \new Staff \with { instrumentName = "Vl. I" shortInstrumentName = "Vl. I" midiInstrument = "violin" } <<\scoreAViolinI \squelinst >> scoreAViolinIIPart = \new Staff \with { instrumentName = "Vl. II" shortInstrumentName = "Vl. II" midiInstrument = "violin" } << \scoreAViolinII \squelinst >> scoreAViolaPart = \new Staff \with { instrumentName = "Alt." shortInstrumentName = "Alt." midiInstrument = "viola" } { << \clef alto \scoreAViola \squelinst >> } %%%%%%%%%%{ << \clef treble \scoreAViola \squelinst >> } scoreACelloPart = \new Staff \with { instrumentName = "Vlc." shortInstrumentName = "Vlc." midiInstrument = "cello" } { <<\clef bass \scoreACello \squelinst >> } scoreAContrabassPart = \new Staff \with { instrumentName = "Cb." shortInstrumentName = "Cb." midiInstrument = "contrabass" } { << \clef bass \scoreAContrabass \squelinst >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% score % { \book { \header { subsubtitle = "partition de direction d‘orchestre" } \score { %%%%%%%%% \pointAndClickOff \new GrandStaff << % \new StaffGroup << \scoreAPiccoloPart % { \scoreAFluteIPart %{ \scoreAFluteIIPart \scoreAOboeIPart \scoreAOboeIIPart \scoreAClarinetIPart \scoreAClarinetIIPart \scoreABassoonIPart \scoreABassoonIIPart % } >> %} %{ \new StaffGroup << \scoreAHornFIPart \scoreAHornFIIPart \scoreAHornFIIIPart \scoreAHornFIVPart \scoreATrumpetCIPart \scoreATrumpetCIIPart \scoreATromboneIPart \scoreATromboneIIPart \scoreATromboneIIIPart \scoreATimpaniPart >> \scoreAChoirPart %} % { \new StaffGroup << \scoreAViolinIPart \scoreAViolinIIPart \scoreAViolaPart \scoreACelloPart \scoreAContrabassPart >> %} >> >> %} \layout { } %%%%%%%%%%%%%%% \midi { } } } % } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%% %%%%%%%% Partitions instruments %%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ #(set-global-staff-size 23) \book { %%%%% flûte Piccolo \header { instrument = "Flûte Piccolo" } \paper { max-systems-per-page = #8 } %%%%%%%%% \pageBreak \bookOutputSuffix "1_flute_Piccolo" \score { << \generalPart \scoreAPiccoloPartInst >> \layout { \compressFullBarRests %{ \context { \Staff \RemoveAllEmptyStaves % To use the setting globally, uncomment the following line: \override VerticalAxisGroup #'remove-first = ##t } % } } } } %} %{ #(set-global-staff-size 23) \book { %%%%% les deux flûtes \header { instrument = "Flûte I & II" } \paper { max-systems-per-page = #8 } \bookOutputSuffix "2_flute_I&II" \score { << \generalPart \scoreAFluteIPart >> \layout { } } } %} %{ #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% hautbois \header { instrument = "Oboe I & II" } \paper { %%%%%%%%%%%% max-systems-per-page = #8 ragged-last-bottom = ##f } \bookOutputSuffix "3_Oboe" \score { << \generalPart \scoreAOboePartInst >> \layout { } } } % } % { #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% clarinette I & II \header { instrument = "Clarinet I et II" } \paper { max-systems-per-page = #8 } \bookOutputSuffix "4_Clarinet_I&II" \score { << \generalPart \scoreAClarinetPartInst >> \layout { } } } %} %{ #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Fagot I & II \header { instrument = "Basson I et II" } \bookOutputSuffix "5_Fag_I&II" \score { << \generalPart \scoreABassoonPartInst >> \layout { } } } % } % { #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Cor I \header { instrument = "Horn I & II" } \paper { max-systems-per-page = #8 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "6_Horn_I_II" \score { << \generalPart \scoreAHornFIPartInst >> \layout { } } } % } % { #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Cor III & IV" \header { instrument = "Horn III & IV" } \paper { max-systems-per-page = #8 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "7_Horn_III_IV" \score { << \generalPart \scoreAHornFIPartInst >> \layout { } } } % } %{ #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Trompette I & II \header { instrument = "Trompette I et II" } \paper { max-systems-per-page = #8 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "8_Trp_I&II" \score { << \generalPart \scoreATrumpetCPartInst >> \layout { } } } % } %{ #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Trombone I & II \header { instrument = "Trombone I et II" } \paper { max-systems-per-page = #8 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "9_Trbni_I&II" \score { << \generalPart \scoreATromboneIPart >> \layout { } } } % } %{ #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Trombone III \header { instrument = "Trombone III" } \paper { max-systems-per-page = #8 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "10_Trbni_III" \score { << \generalPart \scoreATromboneIPart >> \layout { } } } % } % { #(set-global-staff-size 23) \book { %%%%%%%%%%%%%% Timbales \header { instrument = "Timbales" } \paper { %%%%%%%%%%%max-systems-per-page = #8 ragged-last-bottom = ##f % pour espacer sur une seule page } \bookOutputSuffix "11_Timb" \score { << \generalPart \scoreATimpaniPartInst >> \layout { } } } %} %{ #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Violons I \header { instrument = "Violons I" } \paper { max-systems-per-page = #7 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "12_Vi_I" \score { << \generalPart \scoreAViolinIPart >> \layout { } } } % } % { #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% Violons II \header { instrument = "Violons II" } \paper { max-systems-per-page = #9 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "13_Vi_II" \score { << \generalPart \scoreAViolinIIPart >> \layout { } } } % } % { #(set-global-staff-size 23) \book { %%%%%%%%%%%%%% volon Alto \header { instrument = "viola" } \paper { max-systems-per-page = #10 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "14_Viola" \score { << \generalPart \scoreAViolaPart >> \layout { } } } % } % { #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% violoncelle \header { instrument = "Cello" } \paper { max-systems-per-page = #8 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "15_Cello" \score { << \generalPart \scoreACelloPart >> \layout { } } } % } #(set-global-staff-size 23) \book { %%%%%%%%%%%%%%%%% contre-basse \header { instrument = "CB" } \paper { max-systems-per-page = #8 %%%%%%%%%%% ragged-last-bottom = ##f } \bookOutputSuffix "16_CB" \score { << \generalPart \scoreAContrabassPart >> \layout { } } } %}