\version "2.19.83" %{ Smetana La Fiancée Vendue orchestre : squelettes %} squelinstBreak = { \tag #'squelmyBreak { %%%%%%%%%%%%%% instruments sauts de ligne %%%%%%%%%% \set Score.skipTypesetting = ##t %% ignorer les lignes jusqu'au ##f \tag bidon s2*7 \myBreakO %8 s2*7 \myBreakO %15 s2*8 \myBreakO %23 \repeat volta2 { s2*5 \myBreakO %28 reprise mesures 23 à 42 s2*8 \myBreakO %36 s2*7 \myBreakO %43 ou 23 ? %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% } %%% \set Score.skipTypesetting = ##f %% reprendre les lignes jusqu'au ##f s2*8 \myBreakO %51 s2*8 \myBreakO %59 s2*8 \myBreakO %67 %%%%%%%%%%%%%%%%%%%%%%%%% \set Score.skipTypesetting = ##f %% reprendre les lignes jusqu'au ##f s2*9 \myBreakO %76 %%%%%%%%%% \set Score.skipTypesetting = ##f %% reprendre les lignes jusqu'au ##f s2*9 \myBreakO %85 s2*9 \myBreakO % 94 s2*9 \myBreakO %103 %%%%%%%%%%% \set Score.skipTypesetting = ##f %% reprendre les lignes jusqu'au ##f s2*8 \myBreakO %111 s2*8 \myBreakO %119 s2*9 \myBreakO %128 s2*9 \myBreakO %137 s2*8 \myBreakO %145 s2*8 \myBreakO %153 %%%%%%%%% \set Score.skipTypesetting = ##t %% ignorer les lignes jusqu'au ##f s2*8 \myBreakO %161 s2*9 \myBreakO %170 s2*9 \myBreakO %179 s2*9 \myBreakO %188 s2*9 \myBreakO %197 %%%%%%%%%%%%%%%% \set Score.skipTypesetting = ##f %% réactiver lla compilation à partir d'ici s2*8 \myBreakO %205 s2*8 \myBreakO %213 s2*8 \myBreakO %221 s2*8 \myBreakO %229 s2*8 \myBreakO %237 s2*10 \myBreakO %247 s2*10 \myBreakO %257 s2*8 \myBreakO %265 s2*8 \myBreakO %273 s2*8 \myBreakO %281 s2*8 \myBreakO %289 s2*8 \myBreakO %297 s2*8\myBreakO %305 %%%%%%%% %%%%%%%%%%%% finale du choeur s2*8 \myBreakO %313 s2*8 \myBreakO %321 s2*8 \myBreakO %329 s2*8 \myBreakO %337 s2*8 \myBreakO %345 s2*8 \myBreakO %353 s2*7 \myBreakO %360 s2*6 \myBreakO %366 s2*6 \myBreakO %372 %%%%%%%%%%%%%%%%% \set Score.skipTypesetting = ##f %% réactiver lla compilation à partir d'ici s2*6 \myBreakO %378 s2*6 \myBreakO %384 s2*6 \myBreakO %390 s2*8 %fin } } squelinst = { %%%%%%%%%%%%%% instruments %%%%%%%%%% \set Score.skipTypesetting = ##t %% ignorer les lignes jusqu'au ##f \tag bidon %%%%%%%%s2*7 %%%\myBreakO %8 s2*14 %%%\myBreakO %15 s2-\tag sqFFA \ff s2*7 %%%\myBreakO %23 \repeat volta2 { s2*20 %%%\myBreakO %43 ou 23 ? %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% } %%% \set Score.skipTypesetting = ##f %% reprendre les lignes jusqu'au ##f s2*16 %%%\myBreakO %59 s8-\tag sqmenFA \tweak self-alignment-X #0.5 \menoF s4. %60 s2*70 %131 s2-\tag sqsigCrA -\tweak self-alignment-X #0.5 \< %132 s2 %133 s2-\tag sqFFB -\tweak self-alignment-X #0.5 \ff %134 s2*18 %151 s2-\tag sqsigCrB \< %152 s2 %%%\myBreakO %153 %%%%%%%%% \set Score.skipTypesetting = ##t %% ignorer les lignes jusqu'au ##f s4-\tag sqFFC \ff \mark "Più mosso" s4 %154 s2-\tag sqsigCrC \< %155 s4 s-\tag sqSFA \sf %156 s2*5 %%%\myBreakO %161 s2-\tag sqsigCrD \< % 162 s2 %163 s4 s-\tag sqSFB \sf %164 s2*11 %175 s2*2-\tag sqsigCrE \< %177 s2-\tag sqFFF -\tweak self-alignment-X #0.1 _\fff %178 s2*19 \bar "||" %%%\myBreakO %197 %%%%%%%%%%%%%%%% \set Score.skipTypesetting = ##f %% réactiver lla compilation à partir d'ici \tag #'sqclefFM { \key f \major } %197 s4 \mark "Meno vivo" s4 s2*18 %215 \mark "poco largamente" s2*31 %%%\myBreakO %247 s2*2-\tag sqsigDcA \> %249 s2*2 \! %251 s2-\tag sqsigCrF \< %252 s4-\tag sqSFC \sf s %253 s2-\tag sqsigDcB \> \mark "poco largamente" %254 s4 s4-\tag sqsigCrG \< %255 s2 %256 s4-\tag sqsigDcC \> s4 %%%\myBreakO %257 s4\! \mark "A tempo I" s4 %258 s2 %259 s2-\tag sqsigCrH \< %260 s2\! %261 s2*4 %%%\myBreakO %264 s2-\tag sqCreCA \cresc %265 s4 s4-\tag sqsigCrJ \< %266 s2 %267 s2\! %268 s2*2 %271 s2-\tag sqsigCrK \< %272 s2 %%%\myBreakO %273 s2\! -\tag sqFsFA \fsF %274 s2*2 %276 s2-\tag #'sqSFD \sf %277 s2*2 %279 s4..-\tag #'sqSFE \sf s16-\tag #'sqsempre _\markup { \italic "sempre" } %280 s8 s4-\tag #'sqCreCB \cresc s8 %%%\myBreakO %281 s2*3 s4. s8\! %285 s4_\ff s %286 s2*3 \bar "||" %%%\myBreakO %289 %%%%%%%%%%%%%%% \set Score.skipTypesetting = ##f %% réactiver lla compilation à partir d'ici \tag #' sqclefGM { \key g \major } %%%%%%%%%%% retour en sol majeur s2*12 %301 s2 _\f _\cresc %302 s2*3 %%%\myBreakO %305 %%%%%%%% %%%%%%%%%%%% finale du choeur s2 _\ff %306 s2*17 %323 s2*2 _\< %325 s4 _\ff \mark "Più mosso" s %326 s2 _\< %327 s4 s _\sf %328 s4 _\sf s %%%\myBreakO %329 s2*5 %334 s2 _\< %335 s4 s _\sf %336 s4 _\parenthesize \sf s %%%\myBreakO %337 s2*10 %347 s2*2 _\< %349 s4\! s8 \mark "Moderato, tempo I" s %350 s2*47 %397 s4 s \bar "|." %fin } squelinstP = { %%%%%%%%%%%%%% instruments piccolo s2*22 %23 \repeat volta2 { s2*20 %43 } s2*134 %177 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s2 \fff %178 s2 %179 s2*2 %%%\myBreakO %181 s2*16 %197 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \key f \major %197 s2*60 %256 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s4 s4 %%%\myBreakO %257 \mark "A tempo I" s2*23 %280 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s2*3 \bar "||" %%%\myBreakO %289 %%%%%%%%% \set Score.skipTypesetting = ##f \key g \major %%%%%%%%%%% retour en sol majeur s2*17 %%%\myBreakO %301 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% s2 \f \cresc %302 s2*3 %%%\myBreakO %305 %%%%%%%% %%%%%%%%%%%% finale du choeur s2 \ff %306 s2*7 %%%\myBreakO %313 s2*4 %317 s4 \dim s\! %318 s2*3 %%%\myBreakO %321 s2*2 %323 s2*2 \< %325 s4 \ff \mark "Più mosso" s %326 s2 \< %327 s4 s \sf %328 s4 \sf s %%%\myBreakO %329 s2*5 %334 s2 \< %335 s4 s \sf %336 s4 _\parenthesize \sf s %%%\myBreakO %337 s2*8 %%%\myBreakO %345 s2*2 %347 s2*2 \< %349 s4\! s8 \mark "Moderato, tempo I" s %350 s2*49 \bar "|." % fin %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% }