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Re: Mettre des notes sur la portée clé de sol lorsque l'on est dans la c
From: |
Bernard Meylan |
Subject: |
Re: Mettre des notes sur la portée clé de sol lorsque l'on est dans la clé de fa |
Date: |
Sat, 6 Mar 2021 13:38:47 -0700 (MST) |
Bonsoir,
voici ton code avec qqs ajouts et qqs passages d'une portée à l'autre
(mesures 3, 4 et 7)
\version "2.20.0"
\header {
title = "XXXXXXX"
instrument = \markup \with-color #darkblue "Piano"
composer = "XXX"
tagline = \markup {
Gravé avec LilyPond, un logiciel gratuit et libre
\concat { ( \with-url #"http://lilypond.org" http://lilypond.org ) }
}
}
\paper {
system-system-spacing.padding = #0
oddFooterMarkup = \markup \fill-line {
\center-column {
\line { \fontsize #-4 \fromproperty #'header:title }
\on-the-fly #last-page \line { \fontsize #-1 \fromproperty
#'header:tagline }
\italic \line {
\fontsize #-1 {
GR le #(strftime "%d %b %Y" (localtime (current-time)))
}
}
}
}
}
%% Variables contenant la musique.
global = {
\key c\major
\time 9/8
}
melody = \relative c'' {
\global
\bar ".|:-||"
R1*9/8
R1*9/8 \bar ":|."
r8 e, [ e] e\< [ e e] f4. ~\!
f2.\> ~ f8 [ c' b]\!
e,2. ~ e4.
e2. ~ e4.
r8 e8 [ e]\< e [ e e] f4.~\!
f2. ~ f8\> [ g a]\!
b2. ~ b4.
b2. ~ b4. r8 b [ b] b [ b b] c4.~
c2. c8 [ d e]
b2. ~ b4.
b2. ~ b4.
r8 a [ a] a [ a a] a4. ~
a2. ~ a8 [ g f]
e2. ~ e4. \bar "||"
\time 12/8
r8 a [ g] a [ b a] b4.~ b8 [ a b]
c2. ~ c4. r4 r8
r8 c [ b] c [ b a] b4.~ b8 [ a g]
a2. ~ a2. \bar "||" \time 9/8 \key des\major
r8 f [ f] f [ f f] ges4.~
ges2. ~ ges8 [ des' c]
f,2. ~ f4. ~
f2. ~ f4.
r8 f [ f] f [ f f] ges4. ~
ges2. ~ ges8 [ aes bes]
c2. ~ c4. ~
c2. ~ c4.
r8 c [ c] c [ c c] des4. ~
des2. ~ des4.
c2. ~ c4. ~
c2. r4.
r8 bes [ bes] bes [ bes bes] bes4.
bes2. ~ bes4.
f2. r4. \bar "||" \time 12/8 \key c\major
r8 b [ a] b [ c b] c4. ~ c8 [ b c] \bar "||" \key des\major
des2. ~ des2.
r8 [ des c] des [ c bes] c4. c8 [ bes a]
bes1*12/8
R1*12/8
r4. r4. r8 f8 [ f] f [ f f]
ges2. ~ ges2.
r4. r4. r8 f8 [ f] f [ f f]
ges2. r2.
r4. r4. r8 f8 [ f] f [ f f]
R1*12/8
R1*12/8 \bar "|."
}
text = \lyricmode {
}
right = \relative c' {
\global
%% des notes au pif :
<c e>4. <c e>4. <c e>4.
<c e>4. <c e>4. <c e>4.
<<
{4 s8 s2.}
\\
{b8 \change Staff = "left" d, c s4. s4.}
>>
f'8 c a a' f c s4.
<<
{g'4. g4. g4.}
\\
{g8 c, a g' c, a g' c, a}
>>
<<
{a'4. a4. a4.}
\\
{a8 c, a a' c, a a' c, a}
>>
<<
{4 s8 s2.}
\\
{b8 \change Staff = "left" d, c s4. s4.}
>>
f'8 c a a' f c s4.
<<
{g'4. g4. a4.}
\\
{g8 e c g' e c a' e c}
>>
<<
{b'4. g4. e4.}
\\
{b'8 g e g e c e b g}
>>
<<
{<c e>4 s8 s4. <f a c>4.}
\\
{s4. s4. f8 c a}
>>
}
left = \relative c {
\global
\clef bass
%% des notes au pif :
<<
{b'8 a e b' a e b' a e}
\\
{a,2. ~ a4.}
>>
<<
{b'8 a e b' a e b' a e}
\\
{a,2. ~ a4 e'8}
>>
<<
{\stemDown <a,, a'>4. a'4. 4. ~ 4. s4. s4.}
\\
{s4. \stemUp a8 c e f a \change Staff = "right" c s4. s4. \change Staff =
"left" a8 f c}
>>
2. ~ 4.~
2. ~ 4.
<<
{\stemDown <a, a'>4. a'4. 4.^> }
\\
{r4. \stemUp a8 c e f a \change Staff = "right" c}
>>
r4. r4. a8 f c
2. ~ 4.
2. ~ 4.
}
accords = \chordmode {
%% des accords au pif :
}
%% Réglages de présentation.
\layout {
\context {
\Score
\override BarNumber.color = #red
\override BarNumber.font-shape = #'italic
\override BarNumber.font-size = #0.2
}
\context {
\Staff
explicitKeySignatureVisibility = #end-of-line-invisible
printKeyCancellation = ##f
}
\context {
\ChordNames
\frenchChords
\override ChordName.font-family = #'serif
\override ChordName.extra-offset = #'(-1 . 0)
}
}
%% Structure de la partition.
\score {<<
\new Voice = "mel" { \autoBeamOff \melody}
\new Lyrics \lyricsto "mel" \text
\new PianoStaff \with {
midiInstrument = "piano"
}
<<
\new Staff = "right" \right
\new ChordNames \accords
\new Staff = "left" \left
>>
>>
\layout {}
\midi {\tempo 4=100}
}
-----
Cordialement
Bernard
--
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