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From: | Federico Bruni |
Subject: | Re: Coda ahead of a line of its own |
Date: | Wed, 24 Dec 2014 15:28:58 +0100 |
Hi Federico,
> I don't understand why coda sign and fine sign are in first alternative. I'd expect to see them at the end.
The \repeat function needs to know two things:
(1) where to put the various visual bits; and
(2) how to unfold the repeats if the part (or midi) is being written out.
In the example you linked to (page 23, first score), we have structurally
{ 1m } { § + 3m + ’to Coda ø’ } { 2m + ‘D.S. al coda’ + || } { 'ø coda’ + 2m + .| }
where § is the standard D.S. symbol, ø is the standard coda symbol, ‘m’ stands for measures of music, and the other symbols are the various barlines.
So the suggested repeat structure would be
\repeat segnocoda { 1m } \alternatives { { 3m } { 2m } { 2m } }
which is essentially exactly what David K has on the issue page.
Does that make sense now?
If not, please ask a specific question, as I’m not clear on what you don’t understand.
If it *does* make sense to you, but you think it’s an inferior solution, please point out why and suggest an alternative which in your opinion solves the problem(s).
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