Re: lilypond-book fragment with ties/slurs continuing over the end of the fragment

[Mats Bengtsson]

If you can stand some manual tweaking of the LilyPond generated LaTeX 
code, this is very easy to do. For every score, you will
get a file lily-XXXXXXX-systems.tex that essentially just contains a 
\includegraphics for every score line. So, it's very easy to typeset 
also the following line and manually just remove or comment out the 
corresponding \includegraphics command.

If you want to include text comments between lines of a score, you
can even do it without having to touch the generated code if you 
redefine \betweenLilyPondSystem cleverly.

  /Mats


Quoting Vaclav Smilauer <address@hidden>, Vaclav Smilauer <"eudoxos 
<at"@unspecified-domain>, "arcig.cz>"@unspecified-domain:

> (I posted this message to the general mailing list and apparently there is no
> such feature in lilypond to make that happen so I turn over here)
>
> I would like to typeset one-line (one system) of music that has ties and/or
> slurs continuing over the end, to the (hypothetical) second system. 
> The system
> is block-aligned (in LaTeX). I tried two lilypond-only solutions:
>
> 1. "... | c1 ~| \hideNotes\stopStaff c": the staff was aligned as if 
> the hidden
> bit was there (i.e. it was narrower than \hsize); also, the tie did 
> not look as
> pretty as it should.
>
> 2. "... | c1 ~| \break\hideNotes\stopStaff c": the alignment was perfect, the
> tie was also perfect, but I got clef, bar number and the other part of the
> broken tie printed.
>
> Since there is the --preview feature of lilypond, I think that it would be
> enough if lilypond-book passed that option to lilypond and then renamed the
> *.preview.* file as if it were the whole output of lilypond, ending 
> at \break.
>
> Is such approach acceptable? Should I try (lilypond-book is "python", not
> python; sigh) and send a patch? What should this option be called? 
> "oneliner"?
> "Preview" is clearly not appropriate. Or is it achievable from within 
> .ly, after
> all?
>
> Regards, Vaclav Smilauer
>
>
>
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