Re: Music glyph design choices

[Phil Holmes]

----- Original Message ----- 
From: "tisimst" <address@hidden>
To: <address@hidden>
Sent: Monday, August 10, 2015 5:32 PM
Subject: Re: Music glyph design choices


> On 8/9/2015 10:38 PM, Werner LEMBERG [via Lilypond] wrote:
> > The same as with the double-flat: we need evidence from real-world
> > scores to decide this.
> >
> > Do you have time to check this?
>
> A quick scan through IMSLP:
>
> 1. (Breikopf & Hartel, 1880) Chopin, Polonaise in B-flat minor:
> Identical flats
> 2. (Peters, 1895) Grieg, Piano Concerto in A-minor (for piano 4 hands):
> Identical flats
> 3. (Universal, 1920) Bartok, Studies for Piano, Op. 18: Identical flats
>
> This is in way definitive, but seems like nice evidence for using
> identical flats. I'd be very interested in seeing a score where they
> were intentionally /not/ identical.


Looks like this should form an enhancement/bug request.  Do you have the 
skills to fix the font files?

--
Phil Holmes