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Re: New context modifier \CompletionRhythms?
From: |
David Kastrup |
Subject: |
Re: New context modifier \CompletionRhythms? |
Date: |
Sat, 09 Apr 2016 23:37:20 +0200 |
User-agent: |
Gnus/5.13 (Gnus v5.13) Emacs/25.1.50 (gnu/linux) |
Simon Albrecht <address@hidden> writes:
> On 09.04.2016 15:16, Dan Eble wrote:
>> these are the kinds of questions that should be asked before turning
>> it on by default and to decide whether the command to turn it off
>> should be terse or verbose.
>
> That’s a misunderstanding, I didn’t want them to be turned on by
> default. The question is, is there any need for something like this:
>
> \layout {
> \context {
> \Voice
> \CompletionRhythmsOn
> }
> }
> \score {
> <<
> \new Voice { … }
> \new Voice \with { \CompletionRhythmsOff } { … }
> >>
> }
>
> That’s where I’m not sure; I only use the Completion…Engravers for
> ancient music, where it will generally be used in all voices at the
> same time.
Why would you even split note values across bars in "ancient music"?
I much prefer unmolested note values and bar lines _between_ staves
there. Makes the motives stand out clearer and avoids boorish
accentuation of mid-syncopes by the singers.
--
David Kastrup