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Re: acciacctura and chord tones
From: |
Mats Bengtsson |
Subject: |
Re: acciacctura and chord tones |
Date: |
Thu, 26 Feb 2004 12:22:20 +0100 |
User-agent: |
Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.6) Gecko/20040113 |
Doug Asherman wrote:
To Whom It May Concern: :-)
I'm trying to set up a bar of music where an acciaccatura anticipates a
chord tone and is tied to that chord tone. The example is below. If I
use the \acciaccatura, the slur goes to the lowest chord tone, and I'd
like it to go to the chord tone that is the same as the acciacctura.
That is, since the acciaccatura is an f#, I'd like it to be tied to the
f# in the chord.
I've thought of a few possible ways to do this, but I'm not sure about
any of them.
- tie the acciaccatura to the chord, and set the engraver that handles
the slur to null (or nil)
Yes, if it should be tied, then you should of course use a tie.
To get rid of the slur, the simple solution is to use \grace instead
of \appoggiatura, since the only difference is the slur.
If you want an acciacatura instead of an appogiatura (i.e. a slash
through the flag), you can get it using
\grace {\once \override Stem #'stroke-style = #"grace" fis'16~ }
<b, fis' b>8.
/Mats