Re: Collision

[Mats Bengtsson]

You didn't say how you combined these three voices on a single staff.
I just tried to add
\score{
 \new Staff << \partOne \\ \partTwo \\ \partThree >>
}

to your example and think that the resulting layout is quite readible.

  /Mats

Mark Garner wrote:
> I'm working on an organ score for my wife and there is some notation that (to 
> me) seems to trip up lilypond.
>
> There are three voices on one staff:
> one with a quarter note on f at the top of the treble cleff slurred to a 
> quarter note on g at the top of the treble cleff
> one that is the same thing, but down an octave
> the third voice is a half note on b inbetween.
>
> Here is the source:
>
> \header {
>     title = "Complicated Slurring"
>     composer = "Mark"
>     enteredby="Mark Garner"
> }
>
> \version "2.10.0"
>
> partOne = \relative c'' {
> f4 (g4) r4 r4
> }
>
> partTwo = \relative c' {
> f4 (g4) r4 r4
> }
>
> partThree = \relative c'' {
> b2 r4 r4
> }
>
> (Put them all together on one staff)
>
> What happens is that the half note's stem collides with the other notes making 
> it look like it is stemmed with the quarter note.
>
> What I'd like to do would be to nudge the half note over just a little so that 
> this didn't happen.
>
> Any comments or help would be appreciated.
>
> Mark
>
>
>
>
> _______________________________________________
> lilypond-user mailing list
> address@hidden
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>   

--
=============================================
        Mats Bengtsson
        Signal Processing
        Signals, Sensors and Systems
        Royal Institute of Technology
        SE-100 44  STOCKHOLM
        Sweden
        Phone: (+46) 8 790 8463                         
       Fax:   (+46) 8 790 7260
        Email: address@hidden
        WWW: http://www.s3.kth.se/~mabe
=============================================