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Re: Fw: définition d'un nouveau contexte
From: |
Germain G. Ivanoff-Trinadtzaty |
Subject: |
Re: Fw: définition d'un nouveau contexte |
Date: |
Fri, 13 Jun 2008 21:03:02 +0200 |
----- Original Message -----
From: "Mats Bengtsson" <address@hidden>
To: "Germain G. Ivanoff-Trinadtzaty" <address@hidden>
Cc: "Lilypond users" <address@hidden>
Sent: Friday, June 13, 2008 11:38 AM
Subject: Re: Fw: définition d'un nouveau contexte
Germain G. Ivanoff-Trinadtzaty wrote:
Hello,
I've got two problems defining a new context \StaffSA, based on \Staff.
Your code below defines a new context type StaffSA which does not contain
any
engravers and it's not based on the Staff context type (the description in
the manual of
what \alias does is very simplified and it seems that you have
misinterpreted it).
Indeed.
Unfortunately, there is no good explanation anywhere in the manual on how
to make a
new context type based on an existing one. However, you can find some
examples
in the mailing list archives, for example
http://lists.gnu.org/archive/html/lilypond-user/2008-02/msg00837.html
I also recommend you to take a look at the file ly/engraver-init.ly, where
all the
default contexts are defined. For example, if you look at the definition
of
the PianoStaff context, you will see how to base a new context definition
on an already existing one.
Thank you very much. It's great to get such pedagogic links, rather than a
simple answer. ly/engraver-init.ly teaches me a lot.
I usually give up browsing LP files before finding what i need. I'm about to
install a grep command on my win laptop, cause the integrated windows search
certainly does search my files, but does not find anything...
I also found this thread on lilypond-user : "Tip: defing new contexts ...
starting from existing contexts"
http://lists.gnu.org/archive/html/lilypond-user/2007-07/msg00526.html
which I should have checked first.
So, adding \Staff (as a template) in the begining of my new context
definition, I ensure that it inherits all engravers and settings from the
template.
But I still don't see what commands get permitted by \alias. I'll use it it,
of course, but I remain somewhat hungry.
What is it really that you try to obtain? What should the new context type
do that
Staff doesn't?
/Mats
In this very first attempt, I only want to integrate voice names in the
staff definition (\StaffSA stands for \StaffSopranoAlto). As a matter of
fact, I put together many little SA-TB scores, and I want to save some
typing and get smaller, smarter \score blocks.
In the future, I want to define a new type of staff, for the so called
Kievian notation (used from 17-18 centuries to translate the old neumatic
chants). It looks a little like gregorian music. It will involve new scale,
new glyphs, bars, etc... Not for today.
Germain
I followed instruction from NR 6.2.5 Defining new contexts.
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Defining-new-contexts#Defining-new-contexts
With the definitions that follow :
1) I get two staves for one \new \StaffSA
2) their instrumentName don't print
What's wrong ?
Thanks,
Germain
ps: btw, are de sharps (#) well suited ? (i mean : in the right place ?)
at : "test-newcontext.png"
%% Test de définition d'un nouveau contexte
\version "2.11.47"
\include "english.ly"
Global = { \key f \major }
NotesDiscantus = { a'4 a'1 }
NotesCantus = { f'4 f'1 }
NotesFiller = { c'4 c'1 }
NotesBassus = { f4 f1 }
Words = \lyricmode { Ta __ daa }
%---------------%
StaffVoiceNames = %% for Staff context
#(define-music-function (parser location n-max-width s-one s-two)
(number? string? string?)
"Format and print voice names for one staff"
#{
\set Staff . instrumentName = \markup { \column {
\hcenter-in #$n-max-width $s-one
\hcenter-in #$n-max-width $s-two } }
#})
%---------------%
StaffSAVoiceNames = %% same as above, but for StaffSA context
#(define-music-function (parser location n-max-width s-one s-two)
(number? string? string?)
"Format and print voice names for one staff"
#{
\set StaffSA . instrumentName = \markup { \column {
\hcenter-in #$n-max-width $s-one
\hcenter-in #$n-max-width $s-two } }
#})
%---------------%
\layout % commun
{
\context { \Score
\remove Bar_number_engraver }
\context { \ChoirStaff %% si placé après déf. de StaffSA : idem
\consists Instrument_name_engraver
\override InstrumentName #'self-alignment-X = #LEFT
\accepts StaffSA }
\context { \Staff
\remove Time_signature_engraver
\override InstrumentName #'self-alignment-X = #RIGHT }
\context { \name StaffSA
\type "Engraver_group"
\alias Staff }
}
%---------------%
\score % 1
{
\new ChoirStaff
<<
\set ChoirStaff . instrumentName = "N°1 Strange behaviour :"
\new StaffSA
<<
\StaffSAVoiceNames #3 #"S." #"A." %% ne donne rien
% \StaffVoiceNames #3 #"S." #"A." %% ne marche pas non plus
\clef "G" \Global
\new Voice = "one" { \voiceOne \NotesDiscantus }
\new Voice { \voiceTwo \NotesCantus }
>>
\new Lyrics = thewords { s }
\new Staff
<<
\StaffVoiceNames #3 #"T." #"B." \clef "F" \Global
\new Voice { \voiceOne \NotesFiller }
\new Voice { \voiceTwo \NotesBassus }
>>
\context Lyrics = thewords \lyricsto "one" { \Words }
>>
\layout { indent = 65\mm }
}
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--
=============================================
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260
Email: address@hidden
WWW: http://www.s3.kth.se/~mabe
=============================================