Am 2009-09-25 um 16:21 schrieb Kieren MacMillan:
my editor tells me, in vocal music eights (everything smaller than a
quarter)
have to be normally unbarred and I should use barred eights instead
of slurs.
That is *not* modern practice... I would *strongly* recommend that
you try to convince your editor to use modern practice (i.e., beaming
to the beat, slurring for melismas), which is the current standard,
not least of all because it's significantly easier for singers to read.
However, if you can't convince your editor to get into the 20th
(never mind 21st) Century... ;)
Sorry, no chance - "this is common practice since Bach, and I as a
seasoned choir leader" yadda yadda...
He's very much convinced that his "standard" is much easier to read
for singers (it's becoming a songbook); in my choir and folk singer
experience it isn't, but anyway...
Is there a global setting for that?
I know \autoBeamOn/Off (works only within a voice) and \override
Slur #'stencil = ##f
But this way there would be a horrendous amount of tweaking - are
there better ways?
The docs at
<http://lilypond.org/doc/v2.13/Documentation/notation/Aligning-lyrics-to-a-melody#Aligning-lyrics-to-a-melody>
have lots of related tweaks and tips — once you've completely
(re-)read it, come back to the list with specific questions.
Thank you, so there's no general setup?
I defined some shortcuts for the slur tweaks, use manual beaming, will
perhaps use \melisma additionally and continue to dispair.
If I switched off slurs using
\override Slur #'stencil = ##f
how do I enable it again without warnings?
\override Slur #'stencil = ##t
does work, but issues an error (#t is no stencil)
Greetlings from Lake Constance
---
fiëé visuëlle
Henning Hraban Ramm
http://www.fiee.net
http://angerweit.tikon.ch/lieder/
https://www.cacert.org (I'm an assurer)
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