Re: How to handle changing transpositions

[Urs Liska]

Am 09.09.2014 13:46, schrieb Simon Albrecht:
> Am 09.09.2014 um 11:46 schrieb Urs Liska:
> > Hi list,
> >
> > I have a problem understanding how to efficiently deal with horn 
> > parts that change their transposition with the clef.
> >
> > That is: In the treble clef the part is notated as \transpose f, c
> > while in the bass clef it is notated in concert pitch.
> This is extremely unusual, I should say. Normally the bass clef would 
> be notated as \transpose f c, that is, as if it were octavating.
> And isn’t it rather confusing if the transposition changes with the 
> clef? I assume that your master copy of the „Trunkene Lied” uses this 
> convention, but in your place I’d consider changing it, to be honest.

Well, yes, that's the convention of the score. But I also recalled 
having learned it that way. Once. Decades ago. I'll look into 
documentation for current orchestration conventions.

Thanks
Urs

> Yours, Simon
>
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