Re: Autobeam constraints

[Simon Albrecht]

Hello Helge,

\noBeam after the third and fourth notes should do what you want.

%%%%%%%%%%%%%%%%%%
\version "2.18"
\relative c'' {
  \time 3/4  \key es \major
 
  \voiceTwo as8\> c  f\noBeam
  \voiceOne as\noBeam  c f\! |
}
%%%%%%%%%%%%%%%%%%

HTH, Simon

Am 31.12.2014 10:11, schrieb Helge Kruse:

Sorry, hit the send key too early.

The documentation about beams (http://lilypond.org/doc/v2.19/Documentation/notation/beams) suggests that you can enabel and disable automatic beaming in the measure. In the following example I expected the last three notes to have the stem up like in a voiceOne context:

\version "2.18.0"

\relative c'' {

  \time 3/4  \key es \major

  

  %% need stem up

  as8\> c f

  %% neeed stem down

  as c f\! |

}

So I placed the corresponding voice commands and added \autoBeamOff to interrupt the beaming for two notes:

\relative c'' {

  \time 3/4  \key es \major

  

  \voiceTwo as8\> c \autoBeamOff f 

  \voiceOne as \autoBeamOn c f\! |

}

But the result isn't convincing. The beam is added for f and as altough it should be possible inside the measure. Finally I managed the score with disabling the automatic beaming for the whole measure. But why is this necessary? Is the doc not exact?

\relative c'' {

  \time 3/4  \key es \major

  

  \autoBeamOff

  \voiceTwo as8[\> c]  f 

  \voiceOne as  c[ f]\! |

  \autoBeamOn

}

Best Regards 

Helge 

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