Re: Extracting voices from score with rehearsalnumbers,repeats, etc.?

[tisimst]

    Martin,

On 9/4/2015 10:11 AM, Martin [via Lilypond] wrote:

Hi List,

I try to extract single voices from my written score.

Copying all related informations like rehearsal letters (boxed barnumbers), repeats, etc.  is very boring. 

All these informations are written into one part (bass) and of course all other voices are without this marks.

Is there any syntax to define it into the \global part of the score?

    Absolutely! I do this all the time. I put the rehearsal
    marks/non-default barlines/etc. among spacer rests. then put the
    \global in parallel with the voices in each staff since they are
    collected at \Score level. This allows you to use it in the full
    score and individual parts, too. This also simplifies things like
    applying transpositions to individual parts while having everything
    in concert pitch in the full score.
    
    Here's a dummy example that should show you at least what I'm
    talking about:
    
    %%%%%%%%%%%%%
      
      
      % put all marks and barlines here
      global = {
        \time 3/4
        \key d \major
        s2.*5 
        \mark \default
        s2.*10 \bar "||"
        \mark \default
        s2.*8 \bar "|."
        % etc.
      }
      
      altoSax = \relative c' {
        \clef treble
        R2.*5
        R2.*10
        R2.*8
      }
      
      % put them in parallel with the instrument voice here
      altoSax = \new Staff << \global \altoSax >>
      
      % full score in concert pitch
      \score {
        <<
          \altoSax
        >>
        \layout {}
      }
      
      % part score in transposed pitch
      \score {
        { \transpose bes c \altoSax }
        \layout {}
      }
      
      %%%%%%%%%%%%%
    
    There are lots of ways to customize this work-flow to meet your
    needs, but hopefully this gives you a good starting place.
    
    HTH,
    Abraham

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