Re: Tempo equivalence markup

[Robert Schmaus]

I've done something similar using an ossia staff some time ago. That's definitely a way. 

My solution (which was for drums) looked like this (I can't tell you right now, where I got the arrowed slur commands from - but that's probably easy to find):

FullDrums = <<

\new DrumStaff = "main" <<

\new DrumVoice { \voiceOne \DrumsUp }
\new DrumVoice { \voiceTwo \DrumsDown }

>>
{

\new DrumStaff \with {
alignBelowContext = "main"
\remove Time_signature_engraver
\remove Clef_engraver
\remove Bar_number_engraver
\remove Bar_engraver
\override StaffSymbol.line-count = #0
fontSize = #-4
\override StaffSymbol.staff-space = #(magstep -3)
\override StaffSymbol.thickness = #(magstep -3)
}
{
\new DrumVoice \drummode {

s1 * 2
s2

\arrowed-slur-outside-staff
\slurDown
s2. \tuplet 3/2 { sn8 sn sn ( }
\noBreak
sn8[ ) sn sn] \stopStaff
}
}
}

>>

That is of course not compilable - just to show how I did it ...

Best, Robert 

______

Truth does not change according to our ability to stomach it.

-- Flannery O'Connor

On 13 Nov 2015, at 06:34, Andrew Bernard <address@hidden> wrote:

The attached image shows a tempo equivalence markup I need to set, indicating that a 32 in the context of the preceding 5/4 tuplets now equals a 16. The partial tuplet bracket seems complicated to do, and I don’t really know how to set this fragment of combined partial music and text. The matter is complicated by the fact that I use a custom music font, and worse still (!) with notehead glyphs that are specially customised also to achieve the very precise appearance the composer requires. So just using \note and so on is not what I need. Would this be best done as a type of ossia?

Any help appreciated.

Andrew

<tempo-equivalence.jpg>

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