Re: How to handle system objects?

[Carl-Henrik Buschmann]

Thank you for the quick reply. 

If it is only entered in the top staff will it reflect when printing parts 
(which is another issue giving me gray hair)? 
If using spacers, how to i enter alternatives (repeats/houses) in my voices?


> 17. mar. 2016 kl. 11.40 skrev Phil Holmes <address@hidden>:
> 
> You only need to enter score-wide objects (like these) into one staff.  This 
> would give you two options: only enter them into a top staff, or enter them 
> into a voice with only spacer rests.
> 
> --
> Phil Holmes
> 
> 
> ----- Original Message ----- From: "Carl-Henrik Buschmann" <address@hidden>
> To: "lilypond-user" <address@hidden>
> Sent: Thursday, March 17, 2016 10:34 AM
> Subject: How to handle system objects?
> 
> 
>> When working with large projects (or small for that matter) like an 
>> orchestral piece, how do one best handle system wide objects like repeats, 
>> rehersal marks, tempi etc? It is tedious entering every thing in every 
>> voice, not to mention prone to errors.
>> 
>> One idea i have is to make a silent voice and embed (not sure of the 
>> terminology here) it into every staff, but i'm not sure if it is the best 
>> way, nor how to execute it.
>> 
>> 
>> Hope your day is/will be brilliant!
>> Carl-Henrik
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>