Re: cadenza when having multiple staffs

[Aaron Hill]

On 2018-09-04 21:13, Edmundo Carmona Antoranz wrote:
> I'm writing the score with flute/piano parts and when reaching 2 bars
> before Moderato, the flute part has what I think is a cadenza while
> the piano part has perfect measures to complete it (rest with
> fermata).

It is not a cadenza, per se, but rather an omission of tuplet numbering. 
 The piece seems to omit tuplet numbering in nearly all cases, rather 
relying solely on beaming groups to indicate the timing.

So the eight "sixteenth" notes that follow the initial quarter are to be 
mapped onto the first crotchet rest and the subsequent six "eighth" 
notes are to be mapped onto the second crotchet rest.  Something like 
this, perhaps:

%%%%
\version "2.19.82"

flute = \relative bes''' {
  \stemDown
  bes4 \fermata ~ \(
  \omit TupletNumber
  \tuplet 8/4 { bes16 g e cis ais g e cis }
  \tuplet 6/2 { ais8 \) <e e'> ^\( <fis fis'>
    \acciaccatura <a a'> <g g'> <dis dis'> <e e'> \) } |
  <b b'>2. \fermata
}

\score { << \new Voice { \key c \minor \time 3/4 \flute } >> }
%%%%

-- Aaron Hill