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Fwd: implementing roman numeral harmonic analysis?


From: David Nalesnik
Subject: Fwd: implementing roman numeral harmonic analysis?
Date: Thu, 5 Sep 2013 08:52:19 -0500

**Arghh**  This should have gone to -devel in the first place!

---------- Forwarded message ----------
From: David Nalesnik <address@hidden>
Date: Thu, Sep 5, 2013 at 8:09 AM
Subject: Fwd: implementing roman numeral harmonic analysis?
To: address@hidden, lilypond-user <address@hidden>



[Janek--sorry about the duplicate message!]



Hi,


On Thu, Sep 5, 2013 at 7:17 AM, Janek Warchoł <address@hidden> wrote:
Hi!

2013/9/5 Mark Polesky <address@hidden>:
> Hi everyone,
>
> On a whim I decided to try to implement a roman numeral
> harmonic analysis interface, entirely in scheme.

I haven't experimented with this yet, but I wanted to share with you a set of functions which I've been using for creating analyses for theory classes I teach.  You can find a more recent version (not that recent!) here:


The extension lines you talk about have been at the back of my mind, and I've wondered if there's a way to integrate Lilypond's vast capabilities for figured bass into this system.

A big stumbling block of my approach here has been to allow for a style of input where the user need to include placeholders in the input: so if you wanted to input V/V, you wouldn't need to include a dummy quality marker and a dummy inversion.  Also, there's the question of using note names with accidentals (which these functions do).

You ask about analysis of modulations: somewhere I have a \pivot function which does the Kostka/Payne style arrangement.  I'll try to dig that up.

--David



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