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Re: notation TAB matching
From: |
Grammostola Rosea |
Subject: |
Re: notation TAB matching |
Date: |
Tue, 09 Sep 2008 14:28:12 +0200 |
User-agent: |
Mozilla-Thunderbird 2.0.0.16 (X11/20080724) |
Grammostola Rosea wrote:
James E. Bailey wrote:
Am 06.09.2008 um 14:46 schrieb Grammostola Rosea:
Ok, I'm learning and get more happy with the results :)
Below this message there's my code. I've three questions about it.
1) Is is possible to have tablature without durations of the notes
displayed in the tablature part?
I'm guessing you mean the dots? It would probably be easiest to
remove them. You'll want to look at
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Controlling-visibility-of-objects.html#Controlling-visibility-of-objects
<http://kainhofer.com/%7Elilypond/Documentation/user/lilypond/Controlling-visibility-of-objects.html#Controlling-visibility-of-objects>
and probably
http://kainhofer.com/~lilypond/Documentation/user/lilypond-internals/Dots_005fengraver.html#Dots_005fengraver
<http://kainhofer.com/%7Elilypond/Documentation/user/lilypond-internals/Dots_005fengraver.html#Dots_005fengraver>
I also want to display notes with a slur in the notation as one
entry in the tablature (no slur, no entry for the second note (in
the notation connected with a slur).
If you want to have different note values, then you need to enter
them as different parts. So something that's a4.~ a4 in the actual
notes is represented as a4. s4 in the tablature? Here is where \tag
would be useful.
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Different-editions-from-one-source.html#Using-tags
<http://kainhofer.com/%7Elilypond/Documentation/user/lilypond/Different-editions-from-one-source.html#Using-tags>
Would be nice if an experienced lilypond user could help me with the
two question/ problems stated above^
It's a bridge to far for me at the moment...
Thanks,
Here is my score:
\header {
title = "Signe"
%arranger = "Eric Clapton"
instrument = "Words and Music by Eric Clapton"
}
\paper{
%#(set-paper-size "letter")
%#(define bottom-margin (* 2 cm))
}
chordNames = \chordmode {
\time 4/4
\partial 8
r8
a4. e2:/a a2
r8 e2:/a
a4. e2:/a a2
r8 e2:/a
a4. e2:/a a2
r8 e2:/a a4. e2:/a
a1
a2 r8 b4.:/a e2:/gis
fis 2 b1:m7
e1 a1
}
uI = {
\voiceOne
\partial 8
r8 | <a cis'>4. <gis b>8 ~ <gis b> <\parenthesize b e'>4 <a cis'>8
~<a cis'> <cis' e'>4. <gis b>2 |
<a cis'>4 <\parenthesize cis' e'>8 <gis b> ~ <gis b> <\parenthesize b
e'>4 <a cis'>8
~ <a cis'>8 <cis' e'>4. <gis b>2 | <a cis'>4 <\parenthesize cis' e'>8
<gis b> ~ <gis b> <\parenthesize b e'>4 <a cis'>8
~ <a cis'> < cis' e'>4. <gis b>2 |
<a cis'>4 <\parenthesize cis' e'>8 <gis b>8 ~ <gis b> <\parenthesize b
e'>4 <\parenthesize e a cis'>8-> r4^ "N.C." r8 e8 gis8 a b
<\parenthesize e a cis'> ~ <\parenthesize e a cis'> <cis' e'>4 r8
<\parenthesize fis b dis'>8 e'4 <b e'>8
~ <b e'> <e'gis'>4 r8 \set TabStaff.minimumFret = #0 \acciaccatura {
a8 } ais8 cis'4 <\parenthesize fis a d'>8 ~ <\parenthesize fis a d'> <b
fis'>4 r8
<a d'>8 ~ <a cis'>4 <\parenthesize e gis b> 8 ~ <\parenthesize e gis
b> <b e'>4 r8 d'\glissando ( cis') b <\parenthesize e a cis'> r2 <e a
cis' a'>2\arpeggio
}
dI = {
\voiceTwo
\partial 8
a,8 ~ a,4 a,4 ~ a,4. a,8~a,4. a,8~a,4 \parenthesize e,8\parenthesize
e,8 a,4. a,8 ~ a,4. a,8 ~
a,4. a,8 ~ a,2 a,4. a,8 ~ a,4. a,8 ~ a,4. a,8 ~ a,2
a,4. a,8 ~ a,4. a,8 r2 r4 r8 a,8 ~ a,4. a,8 ~ a,4. -\markup {T on 6
------|} \set TabStaff.minimumFret = #4 gis,8\6 ~ gis,4.\6 \set
TabStaff.minimumFret = #0 fis,8 ~ fis,4. b,8 ~
b,4. b,8 ~ b,4. e,8 ~ e,4. e,8 ~ e,4. a,8 r2 a,2_\mf
}
Notation = \simultaneous { %% Combine both parts for notation
\time 4/4
\clef "G_8"
\key a \major
\override Score.MetronomeMark #'padding = #6.0 \tempo 4=176
\override StringNumber #'self-alignment-Y = #-1
\override Score.StringNumber #'padding = #3.5
\set fingeringOrientations = #'(up left down)
<< \context Voice=VoiceA \uI >>
<< \context Voice=VoiceB
\dI >>
}
Tablature = \simultaneous { %% Combine both parts for Tablature
\time 4/4
\override TabStaff.Stem #'transparent = ##t %% Makes stems transparent
\override TabStaff.Beam #'transparent = ##t %% Makes beams transparent
<< \context TabVoice=TabVoiceA \uI >>
<< \context TabVoice=TabVoiceB
\dI >>
}
\score {
<<
\new ChordNames { \chordNames }
\context StaffGroup {
\simultaneous {
<< \context Staff=FullNotation \Notation >>
<< \context TabStaff=FullTab \Tablature >>
}
}
>>
\layout{}
\midi {
}
}
- Re: notation TAB matching, (continued)
- Re: notation TAB matching, Robin Bannister, 2008/09/03
- Re: notation TAB matching, Grammostola Rosea, 2008/09/03
- Re: notation TAB matching, Grammostola Rosea, 2008/09/03
- Re: notation TAB matching, James E. Bailey, 2008/09/03
- Re: notation TAB matching, Grammostola Rosea, 2008/09/03
- Re: notation TAB matching, James E. Bailey, 2008/09/03
- Re: notation TAB matching, Grammostola Rosea, 2008/09/06
- Re: notation TAB matching, James E. Bailey, 2008/09/06
- Re: notation TAB matching, Grammostola Rosea, 2008/09/06
- Re: notation TAB matching, Grammostola Rosea, 2008/09/09
- Re: notation TAB matching,
Grammostola Rosea <=
- Re: notation TAB matching, Grammostola Rosea, 2008/09/10
- Re: notation TAB matching, James E. Bailey, 2008/09/10
- Re: notation TAB matching, Grammostola Rosea, 2008/09/10
- Re: notation TAB matching, James E. Bailey, 2008/09/10
- Re: notation TAB matching, Andrew Wilson, 2008/09/10
- Re: notation TAB matching, Grammostola Rosea, 2008/09/11
- Re: notation TAB matching, James E. Bailey, 2008/09/11
- Re: notation TAB matching, Grammostola Rosea, 2008/09/11
- Re: notation TAB matching, Grammostola Rosea, 2008/09/11
- Re: notation TAB matching, James E. Bailey, 2008/09/11