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From: | Marc Hohl |
Subject: | Re: PATCH: Improved tablature support |
Date: | Mon, 20 Jul 2009 22:50:38 +0200 |
User-agent: | Thunderbird 2.0.0.22 (X11/20090608) |
Carl Sorensen schrieb:
On 7/17/09 10:16 AM, "Marc Hohl" <address@hidden> wrote:Carl Sorensen schrieb:Right, so we *must* have the function mode. Do we need the setting mode as well? I don't feel strongly about eliminating it, but I don't feel strongly about keeping it either. I trust your judgment.I prefer to offer both variants.However, now that I think about it, for the function call, I would prefer the name \deadNotes (plural) instead of \deadNote (singular), because it can take multiple notes in its argument.Yes, I had that before, but I decided to remove the plural s, because in chord constructs, it works only on the next note, and in normal contexts, c d \deadNote e f influences only the e (\deadNotes would imply to influence e and f, in my opinion). When one uses { }, \deadNote works on a group of notes, so the meaning here is clear. So personnally, I wouldn't change it ...Thinking of similar functions, like \relative and \harmonic, perhaps we should just name the function to \dead. Then we'd have <c \dead e g>4 or \dead {c d e f g a b} This also brings more distinction between \deadNotesOn and \dead; one of my concerns was potential confusion between \deadNote and \deadNotesOn. What do you think?
Hm, sounds kind of morbid to me, calling a note "dead", but since I am not a native english speaker, I cannot judge this from a neutral point of view. Do you think that there will arise big problems with these commands?I think \deadNotesOn and \deadNote are rather self-explanatory, so I don't believe to confuse potential users.
Marc
Carl
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