Thanks Federico - see inline for my replies.
https://codereview.appspot.com/279140043/diff/40001/Documentation/notation/input.itely
File Documentation/notation/input.itely (right):
https://codereview.appspot.com/279140043/diff/40001/Documentation/notation/input.itely#newcode2313
Documentation/notation/input.itely:2313:
On 2016/02/18 22:51:46, fedelogy wrote:
Sorry, I'm still confused. I cannot see any link between the
explanation above
and the snippet below.
The snippet below explains \tagGroup, which is already explained (and
much
better) immediately after. And the four strings example is more
effective than
A, B, C, D.
OK I'll remove it.
It wasn't clear in your request in the Tracker/email msg what exactly
the point of the example you gave was. As I saw no @lilypond (just an
@example) that used \tagGroup but we have @lilypond for all the other
'Tag' stuff (pushToTag, appendToTag, removeWithTag etc.) I assumed
that
a reader would benfit from an example of this command as well.
The above paragraph is just about how to use \keepWithTag (it's a
continuation
of the previous paragraph about \removeWithTag).
Yes but as I said above, without a corresponding @lilypond (just an
@example) that I could see. For someone who doesn't *already*
understand
Tags I thought this would be helpful.
It suggests using one command
(a single tag or a list of tag), and avoiding multiple \keepWithTag
commands on
a single music expression, otherwise everything will be removed.
I don't understands this. My version just uses slightly different
words
as far as I can tell and removes a lot of unnecessary repetition and
adds the odd article and adverb.