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Re: line breaks
From: |
Orm Finnendahl |
Subject: |
Re: line breaks |
Date: |
Wed, 15 Mar 2006 19:21:42 +0100 |
User-agent: |
Mutt/1.5.9i |
Am 15. M�rz 2006, 10:53 Uhr (-0700) schrieb Paul Scott:
>
>
> Are there musical cases where you can have more beats in a bar than the
> time signature indicates?
In Renaissance Polphonic Music, syncopations in individual voices are
often written without ties, even across barlines for legibility. One
of the major advantages of lilypond (opposed to the commercial
programs, I know) is the ability to transcribe that in a very natural
way.
See the first dotted half notes of the alto or tenor voices (bar 1/2
and bar 4/5) in the ancient notation example (3.5.1) of the
documentation for an example (BTW: The spacing of the second half of
bar 1 is very bad: The g appears to be on the same beat as the d in
the Soprano although it actually is one beat ahead.)
--
Orm
- Re: line breaks, (continued)
- Re: line breaks, Paul Scott, 2006/03/15
- Re: line breaks, Graham Percival, 2006/03/15
- Re: line breaks, Paul Scott, 2006/03/15
- Re: line breaks, Graham Percival, 2006/03/15
- Re: line breaks, Paul Scott, 2006/03/15
- Re: line breaks, Geoff Horton, 2006/03/15
- Re: line breaks, Graham Percival, 2006/03/15
- Re: line breaks, Paul Scott, 2006/03/15
- Re: line breaks, Graham Percival, 2006/03/15
- Message not available
- Re: line breaks, Paul Scott, 2006/03/15
- Re: line breaks,
Orm Finnendahl <=
- Re: line breaks, Thies Albrecht, 2006/03/15
- Re: line breaks, Graham Percival, 2006/03/15
- Re: line breaks, Mats Bengtsson, 2006/03/16
- Re: line breaks, Thies Albrecht, 2006/03/20
- Re: line breaks, Thies Albrecht, 2006/03/20