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Re: stem across voices
From: |
Janek Warchoł |
Subject: |
Re: stem across voices |
Date: |
Sun, 3 Jun 2012 16:07:00 +0200 |
On Sun, Jun 3, 2012 at 3:51 PM, Federico Bruni <address@hidden> wrote:
> I'm referring to the third beat of the bar.
> I'm wondering what the author means with that stem which connects the F in
> second voice to the beam in first voice.
>
> Yes, you are right: they are sharing the same notehead.
> But I think it's wrong: only one voice can play that note.
> Probably the author should have used a (spacer) rest in first voice?
>
> Sorry, I don't have any education in musical notation, my explanations will
> sound weird
This is a correct engraving.
Only one sound is to be played.
This notation means
"there's a melody going on like that:
\relative c {
\key g \major
e8 [( f)] f' a, f f'~ f4
}
and by the way, there's a bass line like this
\relative c {
\key g \major
\voiceTwo
e4 f f f
}
And atually, some of the sounds are shared".
hth,
Janek
- Re: stem across voices, (continued)
- Re: stem across voices, David Kastrup, 2012/06/03
- Re: stem across voices, Eluze, 2012/06/03
- Re: stem across voices, Thomas Morley, 2012/06/03
- Re: stem across voices, Eluze, 2012/06/03
- Re: stem across voices, Kieren MacMillan, 2012/06/03
- Re: stem across voices, Federico Bruni, 2012/06/03
- Re: stem across voices, Thomas Morley, 2012/06/03
- Re: stem across voices, -Eluze, 2012/06/03
- Re: stem across voices, David Kastrup, 2012/06/03
- Re: stem across voices, David Kastrup, 2012/06/03
- Re: stem across voices,
Janek Warchoł <=
Re: stem across voices, David Raleigh Arnold, 2012/06/03