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Re: Lilypond lobbying?


From: Urs Liska
Subject: Re: Lilypond lobbying?
Date: Thu, 18 Aug 2011 18:08:18 +0200
User-agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.9.2.18) Gecko/20110617 Lightning/1.0b2 Thunderbird/3.1.11

Am 18.08.2011 17:42, schrieb Robert Schmaus:
I even feel I have to come to those guys' defence - zero of my
professional as well as non-professional musical friends knew (of)
LilyPond before I told them, and I don't think many of them will use it
because they prefer the apparent comfort of
point-and-click-WYSIWYG-kind-of-programs. Whereas all of them use
Sibelius or, occasionally, Finale.

Also, I don't know any of the numerous other scorewriting programs that
are available out there, so I cannot judge the quality of those. So, I
don't want to step on anyone's toes, but let's just assume that they are
inferior to Sibelius and Finale.

So it might very well be that there is some commercial background to
that contest rule ... but it might also just be that the judges want
typeset scores of decent quality, and for all they know only Sibelius or
Finale deliver that.
No, that is surely not true (or if it is their intention it is not valid).
The use of a superiour notation software (granted Sibelius and Finale could count as such) does absolutely not guarantee decent looking scores because of the human that still has to use it. If they want to provide the jury with readable material they should rather write something like "entries that are considered below the standard of notation quality may be discarded". And I still keep to my point that the use of any notation software _can_ restrict the creativity of a composer. Sibelius or Finale (as well as any other software) deliver scores that the computer can create and prohibit scores the computer can't or the author doesn't know how to create. I know many composers who stick to handwriting for exactly this reason. And I know others who use graphic software instead (or as a complement).

So I can't think of anything else than they want to use the files for publication afterwards. They don't want to pay for a typesetter, so they don't accept handwritten or potentially incompatible scores. But for this it would have been enough to expect the prize winner to provide such files for publication (you might argue that having won the prize you can take care of that)
I wouldn't call that stupid ... maybe a bit
narrow-minded (in particular because they exclude any musical genius who
doesn't know computers from their contest), and certainly annoying for
us here. I still wait for their response, though. A-and I found the idea
of including a "make-it-look-crappy-like-sibelius-engraver" very
amusing!

Rob





On Thu, 18 Aug 2011 18:20 +0300, "Dmytro O. Redchuk"
<address@hidden>  wrote:
On Thu 18 Aug 2011, 08:32 Francois Planiol wrote:
- They are totally stupid and
On Thu 18 Aug 2011, 09:49 Francois Planiol wrote:
So stupid guys
:-)

ps. Not too constructive criticism, I'd say.

--
   Dmytro O. Redchuk                        "Easy to use" is easy to say.
   Bug Squad                                             -- Jeff Garbers

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